Liveness redux: on media and their claim to be live
Increasingly media are asserting themselves as live. In television, this has been an important strategy and recently it has been employed by new media platforms such as Facebook, Periscope and Snapchat. This commentary explains the revival of live media by exploring the meaning and operations of the...
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Published in | Media, culture & society Vol. 39; no. 8; pp. 1245 - 1256 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
London, England
SAGE Publications
01.11.2017
Sage Publications Ltd |
Subjects | |
Online Access | Get full text |
ISSN | 0163-4437 1460-3675 1460-3675 |
DOI | 10.1177/0163443717717633 |
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Summary: | Increasingly media are asserting themselves as live. In television, this has been an important strategy and recently it has been employed by new media platforms such as Facebook, Periscope and Snapchat. This commentary explains the revival of live media by exploring the meaning and operations of the concept and argues the continued relevance of the concept for the study of social media. Traditionally, there have been three main approaches to the live in academic writing (i.e. liveness as ontology, as phenomenology and as rhetoric): each has its particular shortcoming. This paper proposes that it is more productive to understand the live as a construction that assists to secure media a central role in everyday life. |
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Bibliography: | ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14 content type line 23 |
ISSN: | 0163-4437 1460-3675 1460-3675 |
DOI: | 10.1177/0163443717717633 |