Liveness redux: on media and their claim to be live

Increasingly media are asserting themselves as live. In television, this has been an important strategy and recently it has been employed by new media platforms such as Facebook, Periscope and Snapchat. This commentary explains the revival of live media by exploring the meaning and operations of the...

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Bibliographic Details
Published inMedia, culture & society Vol. 39; no. 8; pp. 1245 - 1256
Main Author van Es, Karin
Format Journal Article
LanguageEnglish
Published London, England SAGE Publications 01.11.2017
Sage Publications Ltd
Subjects
Online AccessGet full text
ISSN0163-4437
1460-3675
1460-3675
DOI10.1177/0163443717717633

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Summary:Increasingly media are asserting themselves as live. In television, this has been an important strategy and recently it has been employed by new media platforms such as Facebook, Periscope and Snapchat. This commentary explains the revival of live media by exploring the meaning and operations of the concept and argues the continued relevance of the concept for the study of social media. Traditionally, there have been three main approaches to the live in academic writing (i.e. liveness as ontology, as phenomenology and as rhetoric): each has its particular shortcoming. This paper proposes that it is more productive to understand the live as a construction that assists to secure media a central role in everyday life.
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ISSN:0163-4437
1460-3675
1460-3675
DOI:10.1177/0163443717717633