Evoking re-cognition through embodied enquiry: using drama-based methods to re-script storylines of gendered violence

In this paper I analyse the influence of drama-based learning activities in an education encounter exploring an instance of gendered violence. I use data stories to chart the multiple material, social, and historical influences that emanated within a role-played act of violence by a father upon his...

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Published inInternational journal of qualitative studies in education Vol. 35; no. 2; pp. 163 - 175
Main Author Cahill, Helen
Format Journal Article
LanguageEnglish
Published Abingdon Routledge 07.02.2022
Taylor & Francis
Taylor & Francis Ltd
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ISSN0951-8398
1366-5898
DOI10.1080/09518398.2020.1783709

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Summary:In this paper I analyse the influence of drama-based learning activities in an education encounter exploring an instance of gendered violence. I use data stories to chart the multiple material, social, and historical influences that emanated within a role-played act of violence by a father upon his daughter following her transgression of the standards of pre-marital sexual purity held within a strongly religious community. I call upon Butler's argument, that to understand an act of violence, one must engage with the conditions which permit the act, rather than just the act itself. I use the construct of the assemblage as offered by Deleuze and Guattari to trace the affective forces produced within the learning activities used to examine this enactment. I find that the drama-based activities were productive in opening conditions of possibility when they shifted the genre rules that had limited what it was permissible to feel, say and do as a recognisable masculine subject, and when they offered alternative modalities through which to articulate the multiplicity of possible desires, beliefs, fears and hopes at work within the Father-Daughter relationship.
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ISSN:0951-8398
1366-5898
DOI:10.1080/09518398.2020.1783709