Comparing IR plots: dismal tragedies, exuberant romances, hopeful comedies and cynical satires

In a world where convincing explanations take narrative form, IR theories, too, resort to the basic plot alternatives of tragedy, romance, comedy and irony/satire. While the tendency to view the human condition as tragic pertains especially to the so-called realist school, romantic IR storytellers d...

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Published inInternational politics (Hague, Netherlands) Vol. 55; no. 2; pp. 160 - 176
Main Author Kuusisto, Riikka
Format Journal Article
LanguageEnglish
Published London Palgrave Macmillan UK 01.03.2018
Palgrave Macmillan
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ISSN1384-5748
1740-3898
DOI10.1057/s41311-017-0076-2

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Summary:In a world where convincing explanations take narrative form, IR theories, too, resort to the basic plot alternatives of tragedy, romance, comedy and irony/satire. While the tendency to view the human condition as tragic pertains especially to the so-called realist school, romantic IR storytellers dwell, for example, among liberals, Marxists and peace researchers. This paper focuses on the lesser analysed plots of comedy and irony/satire, finding comic traces in normative, constructivist and critical IR research, and the ironic/satiric mood in poststructural studies. Using the criteria of nonviolence, flexibility, self-reflection and innovativeness, the paper evaluates the relative merits and downsides of the different plots, and takes a stand in favour of comic IR theories. The paper argues that comic theories are best equipped to come up with novel solutions to grave world political problems. Mildly hopeful comedies steer clear of tragic despair, exuberant romantic optimism and satiric cynicism.
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ISSN:1384-5748
1740-3898
DOI:10.1057/s41311-017-0076-2