Katie Mitchell and the Practice/ise of Rehearsal

This piece reflects on the experience of watching Katie Mitchell direct rehearsals for her Deutsches Schauspielhaus Hamburg production of Martin Crimp's Schlafende Männer (Men Asleep). It notes where Mitchell adheres to and departs from the stipulations of her book on directing, The Director�...

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Bibliographic Details
Published inContemporary theatre review Vol. 30; no. 2; pp. 265 - 268
Main Author Ledger, Adam J.
Format Journal Article
LanguageEnglish
Published Abingdon Routledge 02.04.2020
Taylor & Francis Ltd
Subjects
Mitchell, Katie
Personal experiences
Personal profiles
Stage direction
Stage production
Theater
Theater directors & producers
Visual artists
Online AccessGet full text
ISSN1048-6801
1477-2264
DOI10.1080/10486801.2020.1731494

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Summary:This piece reflects on the experience of watching Katie Mitchell direct rehearsals for her Deutsches Schauspielhaus Hamburg production of Martin Crimp's Schlafende Männer (Men Asleep). It notes where Mitchell adheres to and departs from the stipulations of her book on directing, The Director's Craft, and suggests that her work may be helpfully considered as managing the 'ecology of rehearsal'.
Bibliography:ObjectType-Article-1
SourceType-Scholarly Journals-1
ObjectType-Feature-2
content type line 14
ISSN:1048-6801
1477-2264
DOI:10.1080/10486801.2020.1731494