Romantic anatomies of performance

• Main Author: Davies, James Q
• Format: eBook Book
• Language: English
• Published: Berkeley University of California Press 2014
• Edition: 1
• Subjects: 19th century; castrato; celebrity pianists; Classical; franz liszt; frederic francois chopin; Genres & Styles; giovanni battista rubini; giovanni battista velluti; historical; History; History and criticism; history of music; live entertainment; maria felicia malibran; medical approach to music; MUSIC; Music > 19th century > History and criticism; Music > Performance > History; MUSIC / Genres & Styles / Classical; music and physical impacts; musical expression; musical performers; musicians; musicological; opera; pianistic health; pianists; piano; scientific approach to music; sigismond thalberg; singers; techniques of musical training; virtuosic musicians; vocal health; opera; giovanni battista velluti; musical performers; musicians; musicological; historical; sigismond thalberg; castrato; piano; music; pianistic health; musical expression; live entertainment; maria felicia malibran; singers; music and physical impacts; franz liszt; giovanni battista rubini; frederic francois chopin; history; techniques of musical training; celebrity pianists; virtuosic musicians; scientific approach to music; medical approach to music; pianists; history of music; vocal health
• ISBN: 9780520958005; 0520279395; 0520958004; 9780520279391
• DOI: 10.1525/9780520958005

Romantic Anatomies of Performance is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J. Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. Davies describes competing notions of vocal and pianistic health, contrasts techniques of training, and explores the ways in which music acts in the cultivation of bodies..