Interdisciplinary Exhibitions and the Production of Knowledge Perspectives from Curatorial Practice

How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cu...

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Bibliographic Details
Main Author Pleiger, Henriette
Format eBook
LanguageEnglish
Published Bielefeld transcript Verlag 2024
SeriesEdition Museum
Subjects
Online AccessGet full text
ISBN9783839474204
3839474205
9783837674200
3837674207
ISSN2702-9026
DOI10.14361/9783839474204

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Summary:How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes.
Bibliography:MODID-d66b4d6dd71:Transcript
ISBN:9783839474204
3839474205
9783837674200
3837674207
ISSN:2702-9026
DOI:10.14361/9783839474204