Interdisciplinary Exhibitions and the Production of Knowledge Perspectives from Curatorial Practice
How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cu...
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Main Author | |
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Format | eBook |
Language | English |
Published |
Bielefeld
transcript Verlag
2024
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Series | Edition Museum |
Subjects | |
Online Access | Get full text |
ISBN | 9783839474204 3839474205 9783837674200 3837674207 |
ISSN | 2702-9026 |
DOI | 10.14361/9783839474204 |
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Summary: | How can exhibitions not only stage existing knowledge, but also raise questions that lead to new research? This question has become ever more relevant due to the museum sector's growing interest in the development of thematic exhibitions that combine narratives and objects from art, science, cultural history, and everyday life. Using theories from interdisciplinarity studies, Henriette Pleiger identifies different ways of producing knowledge during the exhibition-making process, as well as the mechanisms that are necessary for an exhibition to be considered interdisciplinary. The development of such exhibitions can be understood as collaborative research processes. |
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Bibliography: | MODID-d66b4d6dd71:Transcript |
ISBN: | 9783839474204 3839474205 9783837674200 3837674207 |
ISSN: | 2702-9026 |
DOI: | 10.14361/9783839474204 |