Visual Culture and Decolonisation in Britain

First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres - art, film, advertising, photography, news reports and ep...

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Bibliographic Details
Other Authors: Faulkner, Simon, (Editor), Ramamurthy, Anandi, (Editor)
Format: eBook
Language: English
Published: Abingdon : Routledge, 2019.
Subjects:
ISBN: 9780429401367
9781138394131
9781138394148
Physical Description: 1 online resource (298 pages)

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520 |a First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres - art, film, advertising, photography, news reports and ephemera - represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and 'racial' ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance. 
590 |a Bloomsbury Visual Arts  |c Design Studies 
650 0 |a Arts and society  |z Great Britain 
650 0 |a Decolonization in art  |z Great Britain 
650 0 |a Design. 
700 1 |a Faulkner, Simon,  |e editor. 
700 1 |a Ramamurthy, Anandi,  |e editor. 
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