Ursula Biemann
Review of the exhibition 'Videografien' at Helmhaus, Zurich (6 Sept. 25 Oct 2009) presenting work by Swiss artist Ursula Biemann (b. 1955). These investigative video essays confront themes of mobility and migration.
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Published in | Artforum international Vol. 48; no. 5; pp. 217 - 218 |
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Main Author | |
Format | Magazine Article |
Language | English |
Published |
Los Angeles
Penske Business Corporation
01.01.2010
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Subjects | |
Online Access | Get full text |
ISSN | 1086-7058 |
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Abstract | Review of the exhibition 'Videografien' at Helmhaus, Zurich (6 Sept. 25 Oct 2009) presenting work by Swiss artist Ursula Biemann (b. 1955). These investigative video essays confront themes of mobility and migration. |
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AbstractList | Review of the exhibition 'Videografien' at Helmhaus, Zurich (6 Sept. 25 Oct 2009) presenting work by Swiss artist Ursula Biemann (b. 1955). These investigative video essays confront themes of mobility and migration. Various disciplines overlap: geography, ethnology, philosophy, and international law; all sorts of experts are in search of the lost subject that the refugee seems to represent. Using five monitors, two projections, and wall texts, she juxtaposes personal narratives with writings on topology, commerce, and law, trying to incorporate the streams of people ceaselessly flowing north into a theoretical discourse. |
Author | Zucker, Stefan |
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