イギリス領マラヤの大衆演劇における『ハムレット』の変容 植民地社会における政治文化の形成
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| Published in | 東南アジア研究 Vol. 62; no. 2; pp. 125 - 155 |
|---|---|
| Main Author | |
| Format | Journal Article |
| Language | Japanese |
| Published |
京都大学東南アジア地域研究研究所
31.01.2025
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| Subjects | |
| Online Access | Get full text |
| ISSN | 0563-8682 2424-1377 |
| DOI | 10.20495/tak.62.2_125 |
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| Author | 山本, 博之 |
|---|---|
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| Copyright | 2025 京都大学東南アジア地域研究研究所 |
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| DOI | 10.20495/tak.62.2_125 |
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| Discipline | History & Archaeology |
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| EndPage | 155 |
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| References | 2021．「正義が忠誠を倒すとき―マレーシアの恋愛映画『ジュバ』が試みる古典文学の再解釈」『越境する災い―混成アジア映画研究2020』（CIRAS Discussion Paper No.100）山本博之（編著），60–66ページ所収 Milner, Anthony. 1995[2002]. The Invention of Politics in Colonial Malaya: Contesting Nationalism and the Expansion of the Public Sphere. Cambridge, UK and New York, NY: Cambridge University Press. Hooker, Virginia Matheson. 2000. Writing a New Society: Social Change through the Novel in Malay. Honolulu: University of Hawai‘i Press. Hassan Abd Muthalib. 2013. Malaysian Cinema in a Bottle: A Century (and a Bit More) of Wayang. Petaling Jaya: Merpati Jingga. Shaharuddin Maaruf. 1984. Concept of a Hero in Malay Society. Petaling Jaya: Eastern Universities Press. Abdul Rahman, Tunku. 1981. As a Matter of Interest. Kuala Lumpur: Heinemann Asia. Bastin, John; and Roolvink, R., eds. 1964. Malayan and Indonesian Studies: Essays Presented to Sir Richard Winstedt on His Eighty-Fifth Birthday. Oxford: Oxford University Press. Rahmah Bujang. 1975[2016]. Perkembangan Drama Bangsawan. (edisi kedua). Kuala Lumpur: Dewan Bahasa dan Pustaka. 田子内進．2012．『インドネシアのポピュラー音楽 ダンドゥットの歴史―模倣から創造へ』東京：福村出版 Ariffin Omar. 1993. Bangsa Melayu: Malay Concepts of Democracy and Community, 1945–1950. Kuala Lumpur and New York: Oxford University Press. 北村紗衣．2018．『シェイクスピア劇を楽しんだ女性たち―近世の観劇と読書』東京：白水社 Amir Muhammad. 2010. 120 Malay Movies. Petaling Jaya: Matahari Books. Kassim Ahmad. 1964. Hikayat Hang Tuah (Menurut Naskah Dewan Bahasa dan Pustaka). Kuala Lumpur: Dewan Bahasa dan Pustaka. 山本博之．2019．「正義と忠誠の十字路―2018年のマレーシアにおける政権交代と映画」『正義と忠誠―混成アジア映画研究2018』（CIRAS Discussion Paper No.82）山本博之（編著），8–14ページ所収 Skeat, Walter William. 1900. Malay Magic: Being an Introduction to the Folklore and Popular Religion of the Malay Peninsula. London: MacMillan and Co. Times of Malaya. Ipoh. Soda Naoki. 2020. Conceptualizing the Malay World: Colonialism and Pan-Malay Identity in Malaya. Kyoto: Kyoto University Press. Heide, William van der. 2002. Malaysian Cinema, Asian Film: Border Crossing and National Cultures. Amsterdam: Amsterdam University Press. 池上俊一．2022．『歴史学の作法』東京：東京大学出版会 Warnk, Holger. 2009. Faust does Nusantara. In Lost Times and Untold Tales from the Malay World, edited by Jan van der Putten and Mary Kilcline Cody, pp. 227–240. Singapore: NUS Press. PGD: Pinang Gazette. Penang. Thakur, Vikram Singh. 2020. Shakespeare and Indian Theatre: The Politics of Performance. New Delhi: Bloomsbury. Roff, William R. 1967[1994]. The Origins of Malay Nationalism. New Haven: Yale University Press. Wong Tze Ken, Danny. 2016. Discourse on History in Malaysian Public Sphere. Kuala Lumpur: University of Malaya Press. Maier, Henk. 2004. We Are Playing Relatives: A Survey of Malay Writing. Leiden: Institute of Southeast Asian Studies. Milner, A. C. 1982. Kerajaan: Malay Political Culture on the Eve of Colonial Rule. Tucson: University of Arizona Press. 山本博之．2023．「20世紀前半のペナンにおけるジャウィ・プカン―『ストレイツ・エコー』のマレー人論争から」『マレーシア研究』12: 108–128. Sheppard, Mubin. 1979. Taman Budiman: Memoirs of an Unorthodox Civil Servant. Kuala Lumpur: Heinemann Educational Books. Swettenham, Frank Athelstane. 1895. Malay Sketches. New York: MacMillan and Co. SFP: Singapore Free Press. Singapore. Nurul Farhana Low bt Abdullah. 2009. Bangsawan Shakespeare in Colonial Malaya. In Shakespeare in Hollywood, Asia, and Cyberspace, edited by Alexander C. Y. Huang and Charles S. Ross, pp. 139–151. West Lafayette: Purdue University Press. Tan Sooi Beng. 1993. Bangsawan: A Social and Stylistic History of Popular Malay Opera. Singapore and New York: Oxford University Press. Turnbull, C. M. 1977[1989]. A History of Singapore 1819–1988. (second edition). Singapore and Tokyo: Oxford University Press. Rusaslina Idris. 2016. Multicultural Hang Tuah: Cybermyth and Popular History Making in Malaysia. Indonesia and the Malay World 44: 229–248. Winstedt, R. O. 1916. Malayan Memories. Singapore: Kelly and Walsh. Malaya Tribune. Singapore. Putten, Jan van der. 2009. Wayang Parsi, Bangsawan and Printing: Commercial Cultural Exchange between South Asia and the Malay World. In Islamic Connections: Muslim Societies in South and Southeast Asia, edited by R. Michael Feener and Terenjit Sevea, pp. 86–108. Singapore: ISEAS. Cheah Boon Kheng. 1988[2014]. The Peasant Robbers of Kedah 1900–1929: Historical and Folk Perceptions. (second edition). Singapore: NUS Press. Cohen, Matthew Isaac. 2006. The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903. Athens: Ohio University Press. Fish, Stanly. 1980. Is There a Text in This Class? The Authority of Interpretive Communities. Cambridge, Mass: Harvard University Press.（S.フィッシュ．1992．『このクラスにテクストはありますか』（解釈共同体の権威3）小林昌夫（訳）．東京：みすず書房．） Clifford, Hugh. 1897. In Court and Kampong: Being Tales & Sketches of Native Life in the Malay Peninsula. London: Grant Richards. Straits Times. Singapore. Nurul Farhana Low bt Abdullah. 2012. The Politics of Shakespeare Translation and Publication in Malaya. TRADUÇÃO EM REVISTA 12(1): 39–60. Khoo, Gaik Cheng. 2006. Reclaiming Adat: Contemporary Malaysian Film and Literature. Vancouver: UBC Press. Mulaika Hijjas. 2011. Victorious Wives: The Disguised Heroine in 19th-Century Malay Syair. Singapore: NUS Press. SE: Straits Echo. Penang. 西尾寛治．1995．「ムラカ王権の形成：海上民の役割の分析を中心に」『南方文化』22: 23–43. Winstedt, Richard. 1969. Start from Alif: Count from One: An Autobiographical Mémoire. Kuala Lumpur and New York: Oxford University Press. Renard, John. 1993. Islam and Heroic Image: Themes in Literature and the Visual Arts. Columbia: University of South California Press. Putten, J. van der; and Barnard, T. 2007. Old Malay Heroes Never Die: The Story of Hang Tuah in Films and Comics. In Film and Comic Books, edited by I. Gordon, M. Jancovitch, and M. P. McAllister, pp. 246–267. Jackson: University Press of Mississippi. 井口由布．2018．『マレーシアにおける国民的「主体」形成―地域研究批判序説』東京：彩流社 |
| References_xml | – reference: Shaharuddin Maaruf. 1984. Concept of a Hero in Malay Society. Petaling Jaya: Eastern Universities Press. – reference: Cheah Boon Kheng. 1988[2014]. The Peasant Robbers of Kedah 1900–1929: Historical and Folk Perceptions. (second edition). Singapore: NUS Press. – reference: Khoo, Gaik Cheng. 2006. Reclaiming Adat: Contemporary Malaysian Film and Literature. Vancouver: UBC Press. – reference: Kassim Ahmad. 1964. Hikayat Hang Tuah (Menurut Naskah Dewan Bahasa dan Pustaka). Kuala Lumpur: Dewan Bahasa dan Pustaka. – reference: Wong Tze Ken, Danny. 2016. Discourse on History in Malaysian Public Sphere. Kuala Lumpur: University of Malaya Press. – reference: Winstedt, Richard. 1969. Start from Alif: Count from One: An Autobiographical Mémoire. Kuala Lumpur and New York: Oxford University Press. – reference: Fish, Stanly. 1980. Is There a Text in This Class? The Authority of Interpretive Communities. Cambridge, Mass: Harvard University Press.（S.フィッシュ．1992．『このクラスにテクストはありますか』（解釈共同体の権威3）小林昌夫（訳）．東京：みすず書房．） – reference: Turnbull, C. M. 1977[1989]. A History of Singapore 1819–1988. (second edition). Singapore and Tokyo: Oxford University Press. – reference: Hassan Abd Muthalib. 2013. Malaysian Cinema in a Bottle: A Century (and a Bit More) of Wayang. Petaling Jaya: Merpati Jingga. – reference: Hooker, Virginia Matheson. 2000. Writing a New Society: Social Change through the Novel in Malay. Honolulu: University of Hawai‘i Press. – reference: Abdul Rahman, Tunku. 1981. As a Matter of Interest. Kuala Lumpur: Heinemann Asia. – reference: Mulaika Hijjas. 2011. Victorious Wives: The Disguised Heroine in 19th-Century Malay Syair. Singapore: NUS Press. – reference: Tan Sooi Beng. 1993. Bangsawan: A Social and Stylistic History of Popular Malay Opera. Singapore and New York: Oxford University Press. – reference: 山本博之．2023．「20世紀前半のペナンにおけるジャウィ・プカン―『ストレイツ・エコー』のマレー人論争から」『マレーシア研究』12: 108–128. – reference: Roff, William R. 1967[1994]. The Origins of Malay Nationalism. New Haven: Yale University Press. – reference: SE: Straits Echo. Penang. – reference: Nurul Farhana Low bt Abdullah. 2009. Bangsawan Shakespeare in Colonial Malaya. In Shakespeare in Hollywood, Asia, and Cyberspace, edited by Alexander C. Y. Huang and Charles S. Ross, pp. 139–151. West Lafayette: Purdue University Press. – reference: Ariffin Omar. 1993. Bangsa Melayu: Malay Concepts of Democracy and Community, 1945–1950. Kuala Lumpur and New York: Oxford University Press. – reference: Swettenham, Frank Athelstane. 1895. Malay Sketches. New York: MacMillan and Co. – reference: 西尾寛治．1995．「ムラカ王権の形成：海上民の役割の分析を中心に」『南方文化』22: 23–43. – reference: Maier, Henk. 2004. We Are Playing Relatives: A Survey of Malay Writing. Leiden: Institute of Southeast Asian Studies. – reference: Soda Naoki. 2020. Conceptualizing the Malay World: Colonialism and Pan-Malay Identity in Malaya. Kyoto: Kyoto University Press. – reference: Clifford, Hugh. 1897. In Court and Kampong: Being Tales & Sketches of Native Life in the Malay Peninsula. London: Grant Richards. – reference: Winstedt, R. O. 1916. Malayan Memories. Singapore: Kelly and Walsh. – reference: Straits Times. Singapore. – reference: Putten, Jan van der. 2009. Wayang Parsi, Bangsawan and Printing: Commercial Cultural Exchange between South Asia and the Malay World. In Islamic Connections: Muslim Societies in South and Southeast Asia, edited by R. Michael Feener and Terenjit Sevea, pp. 86–108. Singapore: ISEAS. – reference: 北村紗衣．2018．『シェイクスピア劇を楽しんだ女性たち―近世の観劇と読書』東京：白水社． – reference: 井口由布．2018．『マレーシアにおける国民的「主体」形成―地域研究批判序説』東京：彩流社． – reference: SFP: Singapore Free Press. Singapore. – reference: Putten, J. van der; and Barnard, T. 2007. Old Malay Heroes Never Die: The Story of Hang Tuah in Films and Comics. In Film and Comic Books, edited by I. Gordon, M. Jancovitch, and M. P. McAllister, pp. 246–267. Jackson: University Press of Mississippi. – reference: Renard, John. 1993. Islam and Heroic Image: Themes in Literature and the Visual Arts. Columbia: University of South California Press. – reference: Skeat, Walter William. 1900. Malay Magic: Being an Introduction to the Folklore and Popular Religion of the Malay Peninsula. London: MacMillan and Co. – reference: Malaya Tribune. Singapore. – reference: Warnk, Holger. 2009. Faust does Nusantara. In Lost Times and Untold Tales from the Malay World, edited by Jan van der Putten and Mary Kilcline Cody, pp. 227–240. Singapore: NUS Press. – reference: 池上俊一．2022．『歴史学の作法』東京：東京大学出版会． – reference: PGD: Pinang Gazette. Penang. – reference: Cohen, Matthew Isaac. 2006. The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903. Athens: Ohio University Press. – reference: Bastin, John; and Roolvink, R., eds. 1964. Malayan and Indonesian Studies: Essays Presented to Sir Richard Winstedt on His Eighty-Fifth Birthday. Oxford: Oxford University Press. – reference: Times of Malaya. Ipoh. – reference: ―．2021．「正義が忠誠を倒すとき―マレーシアの恋愛映画『ジュバ』が試みる古典文学の再解釈」『越境する災い―混成アジア映画研究2020』（CIRAS Discussion Paper No.100）山本博之（編著），60–66ページ所収． – reference: Amir Muhammad. 2010. 120 Malay Movies. Petaling Jaya: Matahari Books. – reference: Heide, William van der. 2002. Malaysian Cinema, Asian Film: Border Crossing and National Cultures. Amsterdam: Amsterdam University Press. – reference: Milner, A. C. 1982. Kerajaan: Malay Political Culture on the Eve of Colonial Rule. Tucson: University of Arizona Press. – reference: Milner, Anthony. 1995[2002]. The Invention of Politics in Colonial Malaya: Contesting Nationalism and the Expansion of the Public Sphere. Cambridge, UK and New York, NY: Cambridge University Press. – reference: Sheppard, Mubin. 1979. Taman Budiman: Memoirs of an Unorthodox Civil Servant. Kuala Lumpur: Heinemann Educational Books. – reference: Nurul Farhana Low bt Abdullah. 2012. The Politics of Shakespeare Translation and Publication in Malaya. TRADUÇÃO EM REVISTA 12(1): 39–60. – reference: Rahmah Bujang. 1975[2016]. Perkembangan Drama Bangsawan. (edisi kedua). Kuala Lumpur: Dewan Bahasa dan Pustaka. – reference: Rusaslina Idris. 2016. Multicultural Hang Tuah: Cybermyth and Popular History Making in Malaysia. Indonesia and the Malay World 44: 229–248. – reference: 山本博之．2019．「正義と忠誠の十字路―2018年のマレーシアにおける政権交代と映画」『正義と忠誠―混成アジア映画研究2018』（CIRAS Discussion Paper No.82）山本博之（編著），8–14ページ所収． – reference: 田子内進．2012．『インドネシアのポピュラー音楽 ダンドゥットの歴史―模倣から創造へ』東京：福村出版． – reference: Thakur, Vikram Singh. 2020. Shakespeare and Indian Theatre: The Politics of Performance. New Delhi: Bloomsbury. |
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| SubjectTerms | ナショナリズム ハムレット 大衆演劇 政治文化 植民地の文脈 英領マラヤ |
| Subtitle | 植民地社会における政治文化の形成 |
| Title | イギリス領マラヤの大衆演劇における『ハムレット』の変容 |
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