Subjective evaluation of spatial analysis and synthesis methods using different microphone arrays

Multiple spatial analysis and synthesis methods were proposed up to this date, however, there is still a lack of scientific evidence to conclude how proposed methods and measurement setups compare to each other. This paper presents a subjective study that investigates how spatial analysis and synthe...

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Published in2021 Immersive and 3D Audio: from Architecture to Automotive (I3DA) pp. 1 - 7
Main Authors Pawlak, Alan, Lee, Hyunkook, Makivirta, Aki, Lund, Thomas
Format Conference Proceeding
LanguageEnglish
Published IEEE 08.09.2021
Subjects
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DOI10.1109/I3DA48870.2021.9610905

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Abstract Multiple spatial analysis and synthesis methods were proposed up to this date, however, there is still a lack of scientific evidence to conclude how proposed methods and measurement setups compare to each other. This paper presents a subjective study that investigates how spatial analysis and synthesis method affects spatial and timbral fidelities of the binaural renderings for three different stimuli and three source positions. Evaluated positions: (a) +30°, (b) +90°, (c) +135° were motivated by the 4+7+0 loudspeaker layout from the ITU-R BS.2051-2 recommendation. Spatial room impulse responses were measured in the ITU-R BS.1116-compliant listening room using two different microphone arrays. Measurements were used to create auralisations from Spatial Decomposition Method (SDM) and Higher-Order Spatial Impulse Response Rendering (HO-SIRR). The test conditions were selected to investigate: (i) rendering method (ii) direction of arrival (DOA) estimation method, (iii) microphone array, (iv) use of a dedicated centre reference microphone with SDM and (v) band-pass filtering of the spatial room impulse responses prior to the TDOA-based DOA estimation and DOA enforcement for the direct sound. The listening experiment followed MUSHRA-like methodology with a hidden reference, employing a five-grade similarity scale. Subjects' task was to evaluate how similar the test conditions are to the reference (measured BRIR) with regard to the assessed attribute. This article includes a short review of the existing methods, describes the experimental design and presents the results of the formal listening tests followed by the discussion.
AbstractList Multiple spatial analysis and synthesis methods were proposed up to this date, however, there is still a lack of scientific evidence to conclude how proposed methods and measurement setups compare to each other. This paper presents a subjective study that investigates how spatial analysis and synthesis method affects spatial and timbral fidelities of the binaural renderings for three different stimuli and three source positions. Evaluated positions: (a) +30°, (b) +90°, (c) +135° were motivated by the 4+7+0 loudspeaker layout from the ITU-R BS.2051-2 recommendation. Spatial room impulse responses were measured in the ITU-R BS.1116-compliant listening room using two different microphone arrays. Measurements were used to create auralisations from Spatial Decomposition Method (SDM) and Higher-Order Spatial Impulse Response Rendering (HO-SIRR). The test conditions were selected to investigate: (i) rendering method (ii) direction of arrival (DOA) estimation method, (iii) microphone array, (iv) use of a dedicated centre reference microphone with SDM and (v) band-pass filtering of the spatial room impulse responses prior to the TDOA-based DOA estimation and DOA enforcement for the direct sound. The listening experiment followed MUSHRA-like methodology with a hidden reference, employing a five-grade similarity scale. Subjects' task was to evaluate how similar the test conditions are to the reference (measured BRIR) with regard to the assessed attribute. This article includes a short review of the existing methods, describes the experimental design and presents the results of the formal listening tests followed by the discussion.
Author Lee, Hyunkook
Lund, Thomas
Pawlak, Alan
Makivirta, Aki
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SubjectTerms ASDM
B-Format SDM
Direction-of-arrival estimation
Estimation
Filtering
HO-SIRR
Layout
Loudspeakers
SDM
SIRR
Spatial Analysis
Spatial Synthesis
Statistical analysis
Three-dimensional displays
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Title Subjective evaluation of spatial analysis and synthesis methods using different microphone arrays
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