Blind subjects construct conscious mental images of visual scenes encoded in musical form
Blind (previously sighted) subjects are able to analyse, describe and graphically represent a number of high-contrast visual images translated into musical form de novo. We presented musical transforms of a random assortment of photographic images of objects and urban scenes to such subjects, a few...
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| Published in | Proceedings of the Royal Society. B, Biological sciences Vol. 267; no. 1458; pp. 2231 - 2238 |
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| Main Authors | , , |
| Format | Journal Article |
| Language | English |
| Published |
England
The Royal Society
07.11.2000
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| Subjects | |
| Online Access | Get full text |
| ISSN | 0962-8452 1471-2954 |
| DOI | 10.1098/rspb.2000.1273 |
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| Abstract | Blind (previously sighted) subjects are able to analyse, describe and graphically represent a number of high-contrast visual images translated into musical form de novo. We presented musical transforms of a random assortment of photographic images of objects and urban scenes to such subjects, a few of which depicted architectural and other landmarks that may be useful in navigating a route to a particular destination. Our blind subjects were able to use the sound representation to construct a conscious mental image that was revealed by their ability to depict a visual target by drawing it. We noted the similarity between the way the visual system integrates information from successive fixations to form a representation that is stable across eye movements and the way a succession of image frames (encoded in sound) which depict different portions of the image are integrated to form a seamless mental image. Finally, we discuss the profound resemblance between the way a professional musician carries out a structural analysis of a musical composition in order to relate its structure to the perception of musical form and the strategies used by our blind subjects in isolating structural features that collectively reveal the identity of visual form. |
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| AbstractList | Blind (previously sighted) subjects are able to analyse, describe and graphically represent a number of high–contrast visual
images translated into musical form Blind (previously sighted) subjects are able to analyse, describe and graphically represent a number of high-contrast visual images translated into musical form de novo. We presented musical transforms of a random assortment of photographic images of objects and urban scenes to such subjects, a few of which depicted architectural and other landmarks that may be useful in navigating a route to a particular destination. Our blind subjects were able to use the sound representation to construct a conscious mental image that was revealed by their ability to depict a visual target by drawing it. We noted the similarity between the way the visual system integrates information from successive fixations to form a representation that is stable across eye movements and the way a succession of image frames (encoded in sound) which depict different portions of the image are integrated to form a seamless mental image. Finally, we discuss the profound resemblance between the way a professional musician carries out a structural analysis of a musical composition in order to relate its structure to the perception of musical form and the strategies used by our blind subjects in isolating structural features that collectively reveal the identity of visual form. Blind (previously sighted) subjects are able to analyse, describe and graphically represent a number of high-contrast visual images translated into musical form de novo. We presented musical transforms of a random assortment of photographic images of objects and urban scenes to such subjects, a few of which depicted architectural and other landmarks that may be useful in navigating a route to a particular destination. Our blind subjects were able to use the sound representation to construct a conscious mental image that was revealed by their ability to depict a visual target by drawing it. We noted the similarity between the way the visual system integrates information from successive fixations to form a representation that is stable across eye movements and the way a succession of image frames (encoded in sound) which depict different portions of the image are integrated to form a seamless mental image. Finally, we discuss the profound resemblance between the way a professional musician carries out a structural analysis of a musical composition in order to relate its structure to the perception of musical form and the strategies used by our blind subjects in isolating structural features that collectively reveal the identity of visual form.Blind (previously sighted) subjects are able to analyse, describe and graphically represent a number of high-contrast visual images translated into musical form de novo. We presented musical transforms of a random assortment of photographic images of objects and urban scenes to such subjects, a few of which depicted architectural and other landmarks that may be useful in navigating a route to a particular destination. Our blind subjects were able to use the sound representation to construct a conscious mental image that was revealed by their ability to depict a visual target by drawing it. We noted the similarity between the way the visual system integrates information from successive fixations to form a representation that is stable across eye movements and the way a succession of image frames (encoded in sound) which depict different portions of the image are integrated to form a seamless mental image. Finally, we discuss the profound resemblance between the way a professional musician carries out a structural analysis of a musical composition in order to relate its structure to the perception of musical form and the strategies used by our blind subjects in isolating structural features that collectively reveal the identity of visual form. |
| Author | Cronly-Dillon, J. Persaud, K. C. Blore, R. |
| AuthorAffiliation | Department of Optometry and Neuroscience, University of Manchester Institute of Science and Technology, Manchester M60 1QD, UK. john.cronly-dillon@umist.ac.uk |
| AuthorAffiliation_xml | – name: Department of Optometry and Neuroscience, University of Manchester Institute of Science and Technology, Manchester M60 1QD, UK. john.cronly-dillon@umist.ac.uk |
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| Cites_doi | 10.1093/brain/120.10.1779 10.1098/rspb.1999.0942 10.1037/0033-295X.94.2.115 10.1109/10.121642 10.1038/274423a0 10.1098/rstb.1998.0284 10.1038/360301a0 10.1038/scientificamerican1075-92 10.1515/9781400866861 |
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| References | p_16 p_17 p_2 p_18 p_1 p_19 p_4 p_12 p_3 p_13 p_6 p_14 p_5 p_15 p_8 p_7 Mansur D. L. (p_10) 1985; 9 p_9 p_11 97565 - Nature. 1978 Aug 3;274(5670):423-8 2932516 - J Med Syst. 1985 Jun;9(3):163-74 9365370 - Brain. 1997 Oct;120 ( Pt 10):1779-91 9770223 - Philos Trans R Soc Lond B Biol Sci. 1998 Aug 29;353(1373):1295-306 3575582 - Psychol Rev. 1987 Apr;94(2):115-47 1448145 - Nature. 1992 Nov 26;360(6402):301-2 10643086 - Proc Biol Sci. 1999 Dec 7;266(1436):2427-33 1612614 - IEEE Trans Biomed Eng. 1992 Feb;39(2):112-21 |
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| Snippet | Blind (previously sighted) subjects are able to analyse, describe and graphically represent a number of high–contrast visual
images translated into musical form Blind (previously sighted) subjects are able to analyse, describe and graphically represent a number of high-contrast visual images translated into musical... |
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| SubjectTerms | Blind Blindness - psychology Feature extraction Hearing Shapes Humans Image analysis Imagination Intermodality Information Transfer Mental imagery Mental Images Models, Psychological Music Music analysis Musical forms Musical perception Musical structure Pattern Recognition, Visual Railroad buildings Visual perception Visual Perception - physiology |
| Title | Blind subjects construct conscious mental images of visual scenes encoded in musical form |
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