Effects of motion and configural complexity on color transparency perception

We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configura...

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Published inVisual neuroscience Vol. 23; no. 3-4; pp. 591 - 596
Main Authors GERARDIN, PEGGY, ROUD, PHILIPPE, SÜSSTRUNK, SABINE, KNOBLAUCH, KENNETH
Format Journal Article
LanguageEnglish
Published New York, USA Cambridge University Press 01.05.2006
Cambridge University Press (CUP)
Subjects
Online AccessGet full text
ISSN0952-5238
1469-8714
1469-8714
DOI10.1017/S0952523806233352

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Abstract We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 × 10°), with a central static or moving overlay (5 × 5°). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions.
AbstractList We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 × 10°), with a central static or moving overlay (5 × 5°). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions.
We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 x 10 degrees), with a central static or moving overlay (5 x 5 degrees). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions.We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 x 10 degrees), with a central static or moving overlay (5 x 5 degrees). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions.
We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 x 10 degrees), with a central static or moving overlay (5 x 5 degrees). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions.
We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 × 10°), with a central static or moving overlay (5 × 5°). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions. [PUBLICATION ABSTRACT]
We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10×10 deg), with a central static or moving overlay (5×5 deg). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears which have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions.
Author GERARDIN, PEGGY
SÜSSTRUNK, SABINE
ROUD, PHILIPPE
KNOBLAUCH, KENNETH
AuthorAffiliation 2 Cerveau et vision INSERM : U371 INRA IFR19 Université Claude Bernard - Lyon I Centre de Recherche Inserm 18, Avenue du Doyen Lepine 69675 BRON CEDEX,FR
1 Laboratory for Audiovisual Communications École Polytechnique Fédérale de Lausanne CH
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Issue 3-4
Keywords Motion
Color vision
Configural complexity
Psychophysics
Transparency perception
Language English
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Snippet We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was...
We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was...
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SubjectTerms Changes
Color Perception
Color Perception - physiology
Color Perception Tests
Color Perception Tests - methods
Color vision
Configural complexity
Convergence
Female
Human health and pathology
Humans
Life Sciences
Male
Motion
Motion Perception
Motion Perception - physiology
Neurons and Cognition
Pattern Recognition, Visual
Pattern Recognition, Visual - physiology
PERCEPTION
Photic Stimulation
Photic Stimulation - methods
Psychophysics
Sensory Organs
Studies
Transparency perception
Title Effects of motion and configural complexity on color transparency perception
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https://pubmed.ncbi.nlm.nih.gov/PMC2064861
http://doi.org/10.1017/S0952523806233352
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