Effects of motion and configural complexity on color transparency perception
We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configura...
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Published in | Visual neuroscience Vol. 23; no. 3-4; pp. 591 - 596 |
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Main Authors | , , , |
Format | Journal Article |
Language | English |
Published |
New York, USA
Cambridge University Press
01.05.2006
Cambridge University Press (CUP) |
Subjects | |
Online Access | Get full text |
ISSN | 0952-5238 1469-8714 1469-8714 |
DOI | 10.1017/S0952523806233352 |
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Abstract | We tested whether motion and configural complexity affect perceived
transparency. A series of five coherent chromatic transformations in color
space was applied across a figure: translation, convergence, shear,
divergence and rotation. The stimuli consisted of a bipartite or a
checkerboard configuration (10 × 10°), with a central static or
moving overlay (5 × 5°). Three different luminance conditions
(the plane of chromatic transformation oriented toward higher, lower, or
equal luminances) were also tested for each of three modulation depths.
For each stimulus, the observer judged whether the overlay appeared
transparent or not. The main results indicated an interaction between the
type of chromatic transformation and stimulus motion and complexity. For
example, convergences are judged to appear transparent significantly more
often when motion is added for bipartite configurations, or when they are
generated in a checkerboard configuration. Surprisingly, shears that have
been reported to appear opaque, are more frequently reported to appear
transparent with short vector lengths and when combined with motion. Other
transformations are also affected by motion, although the effectiveness of
figural complexity on transparency seems to depend on both the type of
color shifts and the presence of motion. The results indicate that adding
motion and stimulus complexity are not necessarily neutral with respect to
the chromatic shifts evoking transparency. Thus, studies that have used
motion to enhance transparency may yield different results about the color
shifts supporting transparency perception from those that did not. The
same might be supposed for stimulus complexity under some conditions. |
---|---|
AbstractList | We tested whether motion and configural complexity affect perceived
transparency. A series of five coherent chromatic transformations in color
space was applied across a figure: translation, convergence, shear,
divergence and rotation. The stimuli consisted of a bipartite or a
checkerboard configuration (10 × 10°), with a central static or
moving overlay (5 × 5°). Three different luminance conditions
(the plane of chromatic transformation oriented toward higher, lower, or
equal luminances) were also tested for each of three modulation depths.
For each stimulus, the observer judged whether the overlay appeared
transparent or not. The main results indicated an interaction between the
type of chromatic transformation and stimulus motion and complexity. For
example, convergences are judged to appear transparent significantly more
often when motion is added for bipartite configurations, or when they are
generated in a checkerboard configuration. Surprisingly, shears that have
been reported to appear opaque, are more frequently reported to appear
transparent with short vector lengths and when combined with motion. Other
transformations are also affected by motion, although the effectiveness of
figural complexity on transparency seems to depend on both the type of
color shifts and the presence of motion. The results indicate that adding
motion and stimulus complexity are not necessarily neutral with respect to
the chromatic shifts evoking transparency. Thus, studies that have used
motion to enhance transparency may yield different results about the color
shifts supporting transparency perception from those that did not. The
same might be supposed for stimulus complexity under some conditions. We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 x 10 degrees), with a central static or moving overlay (5 x 5 degrees). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions.We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 x 10 degrees), with a central static or moving overlay (5 x 5 degrees). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions. We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 x 10 degrees), with a central static or moving overlay (5 x 5 degrees). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions. We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10 × 10°), with a central static or moving overlay (5 × 5°). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower, or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears that have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions. [PUBLICATION ABSTRACT] We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was applied across a figure: translation, convergence, shear, divergence and rotation. The stimuli consisted of a bipartite or a checkerboard configuration (10×10 deg), with a central static or moving overlay (5×5 deg). Three different luminance conditions (the plane of chromatic transformation oriented toward higher, lower or equal luminances) were also tested for each of three modulation depths. For each stimulus, the observer judged whether the overlay appeared transparent or not. The main results indicated an interaction between the type of chromatic transformation and stimulus motion and complexity. For example, convergences are judged to appear transparent significantly more often when motion is added for bipartite configurations, or when they are generated in a checkerboard configuration. Surprisingly, shears which have been reported to appear opaque, are more frequently reported to appear transparent with short vector lengths and when combined with motion. Other transformations are also affected by motion, although the effectiveness of figural complexity on transparency seems to depend on both the type of color shifts and the presence of motion. The results indicate that adding motion and stimulus complexity are not necessarily neutral with respect to the chromatic shifts evoking transparency. Thus, studies that have used motion to enhance transparency may yield different results about the color shifts supporting transparency perception from those that did not. The same might be supposed for stimulus complexity under some conditions. |
Author | GERARDIN, PEGGY SÜSSTRUNK, SABINE ROUD, PHILIPPE KNOBLAUCH, KENNETH |
AuthorAffiliation | 2 Cerveau et vision INSERM : U371 INRA IFR19 Université Claude Bernard - Lyon I Centre de Recherche Inserm 18, Avenue du Doyen Lepine 69675 BRON CEDEX,FR 1 Laboratory for Audiovisual Communications École Polytechnique Fédérale de Lausanne CH |
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Keywords | Motion Color vision Configural complexity Psychophysics Transparency perception |
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Snippet | We tested whether motion and configural complexity affect perceived
transparency. A series of five coherent chromatic transformations in color
space was... We tested whether motion and configural complexity affect perceived transparency. A series of five coherent chromatic transformations in color space was... |
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SubjectTerms | Changes Color Perception Color Perception - physiology Color Perception Tests Color Perception Tests - methods Color vision Configural complexity Convergence Female Human health and pathology Humans Life Sciences Male Motion Motion Perception Motion Perception - physiology Neurons and Cognition Pattern Recognition, Visual Pattern Recognition, Visual - physiology PERCEPTION Photic Stimulation Photic Stimulation - methods Psychophysics Sensory Organs Studies Transparency perception |
Title | Effects of motion and configural complexity on color transparency perception |
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