Fashion designer’s identity self-verification through social media engagement on Instagram
In recent years, online identity and social media engagement have been areas of study that have garnered a lot of interest. However, studies have yet to pinpoint empirical and theoretical connections between engagement and identity. Moreover, current research lacks holistic methods for measuring eng...
Saved in:
Published in | Fashion and textiles Vol. 9; no. 1; pp. 1 - 23 |
---|---|
Main Authors | , |
Format | Journal Article |
Language | English |
Published |
Singapore
Springer Singapore
25.02.2022
Springer Nature B.V SpringerOpen 한국의류학회 |
Subjects | |
Online Access | Get full text |
ISSN | 2198-0802 2198-0802 |
DOI | 10.1186/s40691-021-00275-4 |
Cover
Abstract | In recent years, online identity and social media engagement have been areas of study that have garnered a lot of interest. However, studies have yet to pinpoint empirical and theoretical connections between engagement and identity. Moreover, current research lacks holistic methods for measuring engagement rate and identity. Our multifaceted study examines how fashion designers use Instagram as a resource to self-verify their complex identities through social media analysis, body and face detection programmes such as Face++ and manual content identification. One-way and two-way ANOVA and t-tests were employed to determine the correlation in engagement rate between designers, image type and influence tier variables. By engaging with followers, designers verify their self-identities, which ultimately reinforces the fashion social identity online. We found variation in followers’ engagement behaviour when different identity types, image types, and designers of varying influence levels are presented. According to the result, images that reflected designers’ personal identity, such as selfies, body image, and miscellaneous images, drew higher engagement than role identity-related images. Among all image types, the full-body and upper torso more gained follower’s attention than a selfie, advertisement and product images in every influence tier. Therefore, fashion designers should consider posting body images as a meaningful form of identity and medium conveying their dressing aesthetic. Our findings suggest managerial implications for designers to strategise their content according to their tiers of influence. |
---|---|
AbstractList | In recent years, online identity and social media engagement have been areas of study that have garnered a lot of interest. However, studies have yet to pinpoint empirical and theoretical connections between engagement and identity. Moreover, current research lacks holistic methods for measuring engagement rate and identity. Our multifaceted study examines how fashion designers use Instagram as a resource to self-verify their complex identities through social media analysis, body and face detection programmes such as Face++ and manual content identification. One-way and two-way ANOVA and t-tests were employed to determine the correlation in engagement rate between designers, image type and influence tier variables. By engaging with followers, designers verify their self-identities, which ultimately reinforces the fashion social identity online. We found variation in followers’ engagement behaviour when different identity types, image types, and designers of varying influence levels are presented. According to the result, images that reflected designers’ personal identity, such as selfies, body image, and miscellaneous images, drew higher engagement than role identity-related images. Among all image types, the full-body and upper torso more gained follower’s attention than a selfie, advertisement and product images in every influence tier. Therefore, fashion designers should consider posting body images as a meaningful form of identity and medium conveying their dressing aesthetic. Our findings suggest managerial implications for designers to strategise their content according to their tiers of influence. Abstract In recent years, online identity and social media engagement have been areas of study that have garnered a lot of interest. However, studies have yet to pinpoint empirical and theoretical connections between engagement and identity. Moreover, current research lacks holistic methods for measuring engagement rate and identity. Our multifaceted study examines how fashion designers use Instagram as a resource to self-verify their complex identities through social media analysis, body and face detection programmes such as Face++ and manual content identification. One-way and two-way ANOVA and t-tests were employed to determine the correlation in engagement rate between designers, image type and influence tier variables. By engaging with followers, designers verify their self-identities, which ultimately reinforces the fashion social identity online. We found variation in followers’ engagement behaviour when different identity types, image types, and designers of varying influence levels are presented. According to the result, images that reflected designers’ personal identity, such as selfies, body image, and miscellaneous images, drew higher engagement than role identity-related images. Among all image types, the full-body and upper torso more gained follower’s attention than a selfie, advertisement and product images in every influence tier. Therefore, fashion designers should consider posting body images as a meaningful form of identity and medium conveying their dressing aesthetic. Our findings suggest managerial implications for designers to strategise their content according to their tiers of influence. In recent years, online identity and social media engagement have been areas of study that have garnered a lot of interest. However, studies have yet to pinpoint empirical and theoretical connections between engagement and identity. Moreover, current research lacks holistic methods for measuring engagement rate and identity. Our multifaceted study examines how fashion designers use Instagram as a resource to self-verify their complex identities through social media analysis, body and face detection programmes such as Face++ and manual content identifcation. One-way and two-way ANOVA and t-tests were employed to determine the correlation in engagement rate between designers, image type and infuence tier variables. By engaging with followers, designers verify their self-identities, which ultimately reinforces the fashion social identity online. We found variation in followers’ engagement behaviour when diferent identity types, image types, and designers of varying infuence levels are presented. According to the result, images that refected designers’ personal identity, such as selfes, body image, and miscellaneous images, drew higher engagement than role identity-related images. Among all image types, the full-body and upper torso more gained follower’s attention than a selfe, advertisement and product images in every infuence tier. Therefore, fashion designers should consider posting body images as a meaningful form of identity and medium conveying their dressing aesthetic. Our fndings suggest managerial implications for designers to strategise their content according to their tiers of infuence. KCI Citation Count: 2 |
ArticleNumber | 7 |
Author | Cheung, Tin Chun Choi, Sun Young |
Author_xml | – sequence: 1 givenname: Tin Chun surname: Cheung fullname: Cheung, Tin Chun organization: Institute of Textiles and Clothing, The Hong Kong Polytechnic University – sequence: 2 givenname: Sun Young orcidid: 0000-0001-8185-9914 surname: Choi fullname: Choi, Sun Young email: sun-young.choi@polyu.edu.hk organization: Institute of Textiles and Clothing, The Hong Kong Polytechnic University |
BackLink | https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART002814578$$DAccess content in National Research Foundation of Korea (NRF) |
BookMark | eNqNkc2KFDEUhQsZwXGcF3BV4MpFaf5TWQ6Dow0DgvRSCOnUTXV6qpM2SSu98zV8PZ_ETNWg4mIwEG4I5zv3Jud5cxZigKZ5idEbjHvxNjMkFO4QqRsRyTv2pDknWPUd6hE5--v8rLnMeYcQwr0UQrLz5vONyVsfQztA9mOA9PP7j9z6AULx5dRmmFz3FZJ33ppyryvbFI_jts3RejO1exi8aSGMZoR9hdoqWYVczJjM_kXz1Jkpw-VDvWjWN-_W1x-624_vV9dXt53liJTOYm7lMFi-YSCdEIIy4gYOyiACFtNNzxV3km0ktbaXzDEHigvCnZKUCXrRvF5sQ3L6znodjZ_rGPVd0lef1iutFK2rr9rVoh2i2elD8nuTTjMwX8Q0apOKtxNo46hyA3GY14GQYIoyuenZ4MAKhpWrXnTxOoaDOX0z0_TbECN9H41eotE1Gj1Ho1mlXi3UIcUvR8hF7-Ixhfo_mghKOBZsnpMsKptizgnc_1n3_0DWlzm2koyfHkcf3pJrnzBC-jPVI9Qv1pTBhQ |
CitedBy_id | crossref_primary_10_1080_17543266_2022_2126015 crossref_primary_10_1515_sem_2024_0032 |
Cites_doi | 10.1016/j.ijinfomgt.2015.04.003 10.1145/1935826.1935845 10.1080/20932685.2010.10593068 10.2307/2695870 10.1108/IJWBR-04-2016-0013 10.1068/a4546 10.4324/9780429056314 10.1145/2733373.2806365 10.1108/OIR-06-2015-0176 10.1080/17512786.2016.1175314 10.1609/icwsm.v11i1.14858 10.1017/S0048577299971184 10.1016/j.chb.2019.106159 10.1007/978-1-4419-6278-2_4 10.3389/fpsyg.2019.02685 10.31219/osf.io/22hq2 10.1109/ICME.2015.7177499 10.1108/MIP-07-2014-0135 10.1080/21670811.2013.808456 10.1016/j.indmarman.2019.02.022 10.1037/0022-3514.53.6.1038 10.1093/oxfordhb/9780199942237.013.020 10.1016/j.chb.2008.02.012 10.1093/oso/9780195098266.003.0005 10.1108/MIP-01-2018-0039 |
ContentType | Journal Article |
Copyright | The Author(s) 2022 The Author(s) 2022. This work is published under http://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. |
Copyright_xml | – notice: The Author(s) 2022 – notice: The Author(s) 2022. This work is published under http://creativecommons.org/licenses/by/4.0/ (the “License”). Notwithstanding the ProQuest Terms and Conditions, you may use this content in accordance with the terms of the License. |
DBID | C6C AAYXX CITATION 8FE 8FG ABJCF ABUWG AFKRA AVQMV AZQEC BENPR BGLVJ CCPQU D1I DWQXO HCIFZ K50 KB. M1D PDBOC PEJEM PHGZM PHGZT PIMPY PKEHL PMKZF PQEST PQGLB PQQKQ PQUKI PRINS ADTOC UNPAY DOA ACYCR |
DOI | 10.1186/s40691-021-00275-4 |
DatabaseName | Springer Nature OA Free Journals CrossRef ProQuest SciTech Collection ProQuest Technology Collection Materials Science & Engineering Collection ProQuest Central (Alumni) ProQuest Central UK/Ireland Arts Premium Collection ProQuest Central Essentials ProQuest Central Technology Collection ProQuest One ProQuest Materials Science Collection ProQuest Central Korea SciTech Premium Collection Art, Design & Architecture Collection Materials Science Database Arts & Humanities Database Materials Science Collection ProQuest One Visual Arts & Design ProQuest Central Premium ProQuest One Academic (New) Publicly Available Content Database ProQuest One Academic Middle East (New) ProQuest Digital Collections ProQuest One Academic Eastern Edition (DO NOT USE) ProQuest One Applied & Life Sciences ProQuest One Academic ProQuest One Academic UKI Edition ProQuest Central China Unpaywall for CDI: Periodical Content Unpaywall DOAJ Directory of Open Access Journals Korean Citation Index |
DatabaseTitle | CrossRef Publicly Available Content Database Technology Collection ProQuest One Academic Middle East (New) ProQuest Central Essentials Materials Science Collection ProQuest Central (Alumni Edition) SciTech Premium Collection ProQuest One Community College ProQuest Central China ProQuest Central ProQuest One Applied & Life Sciences Arts Premium Collection ProQuest Central Korea Materials Science Database ProQuest Central (New) ProQuest Art, Design and Architecture Collection ProQuest Materials Science Collection ProQuest One Academic Eastern Edition ProQuest Technology Collection ProQuest SciTech Collection ProQuest Digital Collections ProQuest One Academic UKI Edition Materials Science & Engineering Collection ProQuest One Visual Arts & Design Arts & Humanities Full Text ProQuest One Academic ProQuest One Academic (New) |
DatabaseTitleList | Publicly Available Content Database CrossRef |
Database_xml | – sequence: 1 dbid: C6C name: Springer Nature OA Free Journals url: http://www.springeropen.com/ sourceTypes: Publisher – sequence: 2 dbid: DOA name: DOAJ Directory of Open Access Journals url: https://www.doaj.org/ sourceTypes: Open Website – sequence: 3 dbid: 8FG name: ProQuest Technology Collection url: https://search.proquest.com/technologycollection1 sourceTypes: Aggregation Database |
DeliveryMethod | fulltext_linktorsrc |
Discipline | Engineering Chemistry |
EISSN | 2198-0802 |
EndPage | 23 |
ExternalDocumentID | oai_kci_go_kr_ARTI_9933338 oai_doaj_org_article_af39fd2f156340649347b84dfec6419f 10.1186/s40691-021-00275-4 10_1186_s40691_021_00275_4 |
GrantInformation_xml | – fundername: Hong Kong Polytechnic University grantid: BE30 funderid: http://dx.doi.org/10.13039/501100004377 |
GroupedDBID | 0R~ 3V. 5VS 8FE 8FG AAFWJ AAJSJ AAKKN ABEEZ ABJCF ABUWG ACACY ACGFS ACULB ADBBV ADINQ AFGXO AFKRA AFPKN AHBYD AHYZX ALMA_UNASSIGNED_HOLDINGS AMKLP ASPBG AVQMV AZQEC BCNDV BENPR BGLVJ BPHCQ C24 C6C CCPQU D1I DWQXO EBLON EBS GROUPED_DOAJ HCIFZ IAO IFM ITC K50 KB. KQ8 M1D M~E OK1 PDBOC PIMPY PQQKQ PROAC RSV SOJ AASML AAYXX CITATION PUEGO PEJEM PHGZM PHGZT PKEHL PMKZF PQEST PQGLB PQUKI PRINS ADTOC EJD UNPAY AAYZJ ACYCR AFNRJ AHBXF |
ID | FETCH-LOGICAL-c502t-c15c7ddc5b4e7f666342fd5e9a02ec13b8595f74b73cc874f4fe95625f973463 |
IEDL.DBID | 8FG |
ISSN | 2198-0802 |
IngestDate | Tue Nov 21 21:44:31 EST 2023 Wed Aug 27 01:25:17 EDT 2025 Tue Aug 19 14:18:17 EDT 2025 Fri Jul 25 11:10:09 EDT 2025 Thu Apr 24 23:13:32 EDT 2025 Wed Oct 01 02:31:44 EDT 2025 Fri Feb 21 02:47:48 EST 2025 |
IsDoiOpenAccess | true |
IsOpenAccess | true |
IsPeerReviewed | true |
IsScholarly | true |
Issue | 1 |
Keywords | Identity self-verification Role identity Social media engagement Fashion designers Personal identity Social identity |
Language | English |
License | cc-by |
LinkModel | DirectLink |
MergedId | FETCHMERGED-LOGICAL-c502t-c15c7ddc5b4e7f666342fd5e9a02ec13b8595f74b73cc874f4fe95625f973463 |
Notes | ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14 https://fashionandtextiles.springeropen.com/articles/10.1186/s40691-021-00275-4 |
ORCID | 0000-0001-8185-9914 |
OpenAccessLink | https://www.proquest.com/docview/2632516438?pq-origsite=%requestingapplication% |
PQID | 2632516438 |
PQPubID | 2034763 |
PageCount | 23 |
ParticipantIDs | nrf_kci_oai_kci_go_kr_ARTI_9933338 doaj_primary_oai_doaj_org_article_af39fd2f156340649347b84dfec6419f unpaywall_primary_10_1186_s40691_021_00275_4 proquest_journals_2632516438 crossref_primary_10_1186_s40691_021_00275_4 crossref_citationtrail_10_1186_s40691_021_00275_4 springer_journals_10_1186_s40691_021_00275_4 |
ProviderPackageCode | CITATION AAYXX |
PublicationCentury | 2000 |
PublicationDate | 2022-02-25 |
PublicationDateYYYYMMDD | 2022-02-25 |
PublicationDate_xml | – month: 02 year: 2022 text: 2022-02-25 day: 25 |
PublicationDecade | 2020 |
PublicationPlace | Singapore |
PublicationPlace_xml | – name: Singapore – name: Heidelberg |
PublicationSubtitle | International Journal of Interdisciplinary Research |
PublicationTitle | Fashion and textiles |
PublicationTitleAbbrev | Fash Text |
PublicationYear | 2022 |
Publisher | Springer Singapore Springer Nature B.V SpringerOpen 한국의류학회 |
Publisher_xml | – name: Springer Singapore – name: Springer Nature B.V – name: SpringerOpen – name: 한국의류학회 |
References | Ha, Y.-I., Kwon, S., Cha, M., & Joo, J. (2017). Fashion conversation data on instagram. Proceedings of the International AAAI Conference on Web and Social Media EntwistleJThe fashioned body: Fashion, dress and social theory2015John Wiley & Sons Tordini, G. [@giorgiatordini]. (2021, January 26). 6pm somewhere else [Photograph]. Instagram. https://www.instagram.com/p/CKed5ZnD6lk Posen, Z. [@zacposen]. (2020b, November 16). Sunday Beach walk & catch up with my dear friend #victoriabrynner ?Some serious reflections, lots of laughing, a few tears, and needed cathartic leaps! Love you @victoriabrynner ? [Photograph]. Instagram. https://www.instagram.com/p/CHoXq3UBVUU Posen, Z. [@zacposen]. (2020c, December 19). Today my friend @katieholmes212 was born and although I celebrate her strength, kindness, beauty, drive and superb parenting every day, today is for you lucky to watch from the sidelines. [Photograph]. Instagram. https://www.instagram.com/p/CI8x3mjB_6f BossioDSaccoVFrom “selfies” to breaking tweets: How journalists negotiate personal and professional identity on social mediaJournalism practice201711552754310.1080/17512786.2016.1175314 CohnJFZlochowerAJLienJKanadeTAutomated face analysis by feature point tracking has high concurrent validity with manual FACS codingPsychophysiology199936135431:STN:280:DyaK1M7pvVCmsw%3D%3D10.1017/S004857729997118410098378 HsiaoS-HWangY-YWangTKaoT-WHow social media shapes the fashion industry: the spillover effects between private labels and national brandsIndustrial Marketing Management202086405110.1016/j.indmarman.2019.02.022 Jones, K. [@mrkimjones]. (2021b, January 19). 4 days until we present the men’s winter @dior collection with the wonderful @peterdoig a great artist and a great man! The invitation is a painting of Christian Dior in an outfit designed and made by Pierre Cardin for a masked ball 1949 [Photograph]. Instagram. https://www.instagram.com/p/CKMxpOcpwmH Ambrosio, G. [@gildaambrosio]. (2021, February 1). HI [Photograph]. Instagram. https://www.instagram.com/p/CKwLRRNAkFe Subrahmanyam, K., & Šmahel, D. (2011). Constructing identity online: Identity exploration and self-presentation. In Digital youth (pp. 59–80). Springer. De VeirmanMHuddersLNelsonMRWhat is influencer marketing and how does it target children? A review and direction for future researchFrontiers in Psychology201910268510.3389/fpsyg.2019.02685318497836901676 BurnsLDMulletKKBryantNOThe business of fashion: Designing, manufacturing, and marketing2016Bloomsbury Publishing TajfelHTurnerJAustinWGWorchelSAn integrative theory of inter-group conflictThe social psychology of inter-group relations1979Brooks/Cole Siriano, C. [@csiriano]. (2020a, October 20). Can’t believe our show was a month ago wow what is time anymore. ? [Photograph]. Instagram. https://www.instagram.com/p/CGjEf9rHYk5 StetsJEBurkePJIdentity theory and social identity theorySocial Psychology Quarterly200010.2307/2695870 Battan, C. (2021). The Very Tactical Ascent of Givenchy Designer Matthew Williams. GQ. https://www.gq.com/story/givenchy-designer-matthew-williams-profile Caffrey, L. (2017). Social Media and the Construction of “Self”: How Our New Sociotechnical Environment is Changing the Construction of Identity [Master’s thesis, M. Sc. University of Dublin]. SCSS.TCD.IE. https://www.scss.tcd.ie/publications/theses/diss/2017/TCD-SCSS-DISSERTATION-2017-059.pdf Cohn, J. F., & De la Torre, F. (2015). Automated face analysis for affective computing. The Oxford handbook of affective computing, 131–150. https://doi.org/10.1093/oxfordhb/9780199942237.013.020 Kalayeh, M. M., Seifu, M., LaLanne, W., & Shah, M. (2015). How to take a good selfie? Proceedings of the 23rd ACM international conference on Multimedia Miller, B. (n.d.). Torso. In Miller-Keane Encyclopedia and Dictionary of Medicine, Nursing and Allied Health. Retrieved May 28 2021, from https://medical-dictionary.thefreedictionary.com/torso Tordini, G. [@giorgiatordini]. (2020b, March 22). Embrace transformation [Photograph]. Instagram. https://www.instagram.com/p/BCh1MwDkJM Versace, D. [@donatella_versace]. (2021, January 13). Kendal! A little preview of the #VersaceSS21 campaign with my new La Medusa handbag. @kendaljenner [Photograph]. Instagram. www.instagram.com/p/CJ8-qVwFk18 HeivadiTKhajeheianDConstruction of social identity in social media: An investigation of Iranian users’ appearance in FacebookInterdisciplinary Journal of Contemporary Research in Business2013412547 Siriano, C. [@csiriano]. (2020b, November 19). On your Birthday (35 WOW) it’s customary to post a puppy photo and YES we both have green eyes! Thanks for all the love today and if you can spare a dollar, please send to your local animal shelter that might need help saving a cute, smart and sweet animals life. ? [Photograph]. Instagram. https://www.instagram.com/p/CHvYSreHXvA Merler, M., Cao, L., & Smith, J. R. (2015). You are what you tweet… pic! gender prediction based on semantic analysis of social media images. 2015 IEEE International Conference on Multimedia and Expo (ICME) CoelhoRLFde OliveiraDSde AlmeidaMISDoes social media matter for post typology? Impact of post content on Facebook and Instagram metricsOnline Information Review201610.1108/OIR-06-2015-0176 Jacobs, M. [@themarcjacobs]. (2021, January 18). Mice Mice baby. Really enjoying these @balenciaga earrings. [Photograph]. Instagram. https://www.instagram.com/p/CKKNfqiMq5A Bonaldi, P. [@patriciabonaldi]. (2021, May 16). ? lover??!!! Não vivo sem e vcs ? #pizzalo [Photograph]. https://www.instagram.com/p/CO6RfsfpZZF Williams, M. [@matthewmwilliams]. (2020, October 16). new antigona line for @givenchyofficial now available for preorder at givenchy.com [Photograph]. Instagram. https://www.instagram.com/p/CGZ8LnPJXA1 HermidaA# Journalism: Reconfiguring journalism research about Twitter, one tweet at a timeDigital journalism20131329531310.1080/21670811.2013.808456 Siriano, C. [@csiriano]. (2020c, December 3). Poppy helped me paint all of these for you guys for holiday gifts and they are available now at ChristianSiriano.com! [Photograph]. Instagram. https://www.instagram.com/p/CITdtVzn89H Arbesser, A. [@arthurarbesser]. (2021, January 4). 2021 off we go…back in the studio [Photograph]. Instagram. https://www.instagram.com/p/CJnj3qDHDkr Jones, K. [@mrkimjones]. (2021a, January 8). 2 weeks to the next men’s @dior show - show 4 featuring @danielarsham [Photograph]. Instagram. https://www.instagram.com/p/CJxjGcAJJVp Ferri, M. [@martaferrimartaferri]. (2020a, December 22). The New year’s Classics are HERE!!!!! PRE ORDER NOW ??Merry Christmas! ?????? #shoponline #linkinbio www.martaf [Photograph]. Instagram. https://www.instagram.com/p/CJGTFhRpET8 Jacobs, M. [@themarcjacobs]. (2020, December 23). When in Rome. #VaGaytion #thelibraryisopen #nothingbeatsahardcoverbook #herstory #therealdeal #theHillsarealive #LaLaLand #gratefulnothateful [Photograph]. Instagram. https://www.instagram.com/p/CJHvfogMqr6 Ambrosio, G. [@gildaambrosio]. (2020b, October 5). Studio Fw 21/22 [Photograph]. Instagram. https://www.instagram.com/p/CF9EkxJA-8f TafesseWContent strategies and audience response on Facebook brand pagesMarketing Intelligence & Planning201510.1108/MIP-07-2014-0135 Braojos-GomezJBenitez-AmadoJLlorens-MontesFJHow do small firms learn to develop a social media competence?International Journal of Information Management201535444345810.1016/j.ijinfomgt.2015.04.003 Bovan, M. [@babbym]. (2020, November 4). I’m so happy to share that I’m contributing to the forthcoming ONE OF A KIND exhibition curated by Tom Hingston @hingstonstudio and supporting the amazing work of @Teenage_Cancer [Photograph]. Instagram. https://www.instagram.com/p/CIYB-jALlNX Ferri, M. [@martaferrimartaferri]. (2020b, November 19). When fitting the “Noel” red dress for the very first time this august in Puglia! NOW available on line home collection “entertaining at home” exclusively for @matchesfashion shop atwww.matchesfashion.com ?? ? Credit la Mia mika ? @camillav [Photograph]. Instagram. https://www.instagram.com/p/CHvZzbhpk5j Asano, E. (2019). Influencer tiers for the influencer marketing industry. mediakix. https://mediakix.com/influencer-marketing-resources/influencer-tiers/#:~:text=The%20standard%20Instagram%20influencer%20tiers,tier%20influencers%3A%2050%2C000%20%E2%80%93%20500%2C000%20followers Jones, K. [@mrkimjones]. (2021c, March 18). Volt or Orange Kim Jones Nike air Max 95 available tomorrow 19-3-21 @nike photographed by @juergentellerstudio along with the collection [Photograph]. Instagram. https://www.instagram.com/p/CMkGVDUJYRt Boyd, D. (2008). Why youth (heart) social network sites: The role of networked publics in teenage social life. YOUTH, IDENTITY, AND DIGITAL MEDIA. David B, John D, Catherine T Eds. MacArthur Foundation Series on Digital Media and Learning. The MIT Press; 2007–2016. https://doi.org/10.31219/osf.io/22hq2 Ambrosio, G. [@gildaambrosio]. (2020a, October 17). [Photograph]. Instagram. https://www.instagram.com/p/CGcVAnUAR4M HongSJahngMRLeeNWiseKRDo you filter who you are?: Excessive self-presentation, social cues, and user evaluations of Instagram selfiesComputers in Human Behavior202010410615910.1016/j.chb.2019.106159 Kuzmickaite, A. [@agnekuzmickaite]. (2020, October 19). Kai nespėji pasidažyt imi akinius nuo saulės ???#celine @celine #agnekuzmicka [Photograph]. Instagram. https://www.instagram.com/p/CGfsWUDAJC5 Posen, Z. [@zacposen]. (2020a, December 3). The eclectic “alien mix” that makes up the Los Angeles horticulture Vocabulary..??literally A-to-Z specimens from every tropical corner of world! . ????? ##inthegardenwithzac #gardeningwithzac #qt [Photograph]. Instagram. https://www.instagram.com/p/CIUL13RB22k KimAJKoEImpacts of luxury fashion brand’s social media marketing on customer relationship and purchase intentionJournal of Global Fashion Marketing20101316417110.1080/20932685.2010.10593068 RamadanZFarahMFDukenjianATypology of social media followers: the case of luxury brandsMarketing Intelligence & Planning201810. W Tafesse (275_CR55) 2015 WB Swann (275_CR54) 1987; 53 275_CR60 275_CR61 275_CR62 275_CR63 A Hermida (275_CR29) 2013; 1 JE Stets (275_CR51) 2000 H Tajfel (275_CR56) 1979 LD Burns (275_CR14) 2016 275_CR7 275_CR6 275_CR8 J Braojos-Gomez (275_CR12) 2015; 35 275_CR17 275_CR1 275_CR3 S-H Hsiao (275_CR31) 2020; 86 275_CR57 275_CR2 275_CR58 275_CR5 275_CR15 275_CR59 275_CR4 S Stryker (275_CR52) 1985; 1 275_CR53 275_CR10 275_CR11 JF Cohn (275_CR18) 1999; 36 275_CR50 Z Ramadan (275_CR46) 2018 EB Edwards (275_CR22) 2019 A Bruns (275_CR13) 2012; 80 J Entwistle (275_CR23) 2015 S Zhao (275_CR64) 2008; 24 275_CR47 275_CR48 275_CR49 275_CR42 275_CR43 275_CR44 275_CR01 M De Veirman (275_CR20) 2019; 10 275_CR40 275_CR41 L Crewe (275_CR19) 2013; 45 275_CR39 275_CR35 275_CR36 275_CR37 T Heivadi (275_CR28) 2013; 4 275_CR32 275_CR33 275_CR34 D Bossio (275_CR9) 2017; 11 R Dolan (275_CR21) 2017 T Postmes (275_CR45) 2010 S Hong (275_CR30) 2020; 104 275_CR24 AJ Kim (275_CR38) 2010; 1 275_CR25 275_CR26 RLF Coelho (275_CR16) 2016 275_CR27 |
References_xml | – reference: StrykerSStathamASymbolic interaction and role theoryHandbook of Social Psychology19851311378 – reference: BrunsAHighfieldTLindRABlogs, Twitter, and breaking news: The produsage of citizen journalismProdusing Theory in a Digital World: The Intersection of Audiences and Production in Contemporary Theory20128020121532 – reference: DolanRConduitJFahyJGoodmanSSocial media: communication strategies, engagement and future research directionsInternational Journal of Wine Business Research201710.1108/IJWBR-04-2016-0013 – reference: Tordini, G. [@giorgiatordini]. (2021, January 26). 6pm somewhere else [Photograph]. Instagram. https://www.instagram.com/p/CKed5ZnD6lk/ – reference: Ambrosio, G. [@gildaambrosio]. (2021, February 1). HI [Photograph]. Instagram. https://www.instagram.com/p/CKwLRRNAkFe/ – reference: Boyd, D. (2008). Why youth (heart) social network sites: The role of networked publics in teenage social life. YOUTH, IDENTITY, AND DIGITAL MEDIA. David B, John D, Catherine T Eds. MacArthur Foundation Series on Digital Media and Learning. The MIT Press; 2007–2016. https://doi.org/10.31219/osf.io/22hq2 – reference: KimAJKoEImpacts of luxury fashion brand’s social media marketing on customer relationship and purchase intentionJournal of Global Fashion Marketing20101316417110.1080/20932685.2010.10593068 – reference: Jacobs, M. [@themarcjacobs]. (2020, December 23). When in Rome. #VaGaytion #thelibraryisopen #nothingbeatsahardcoverbook #herstory #therealdeal #theHillsarealive #LaLaLand #gratefulnothateful [Photograph]. Instagram. https://www.instagram.com/p/CJHvfogMqr6/ – reference: Caffrey, L. (2017). Social Media and the Construction of “Self”: How Our New Sociotechnical Environment is Changing the Construction of Identity [Master’s thesis, M. Sc. University of Dublin]. SCSS.TCD.IE. https://www.scss.tcd.ie/publications/theses/diss/2017/TCD-SCSS-DISSERTATION-2017-059.pdf – reference: Posen, Z. [@zacposen]. (2020c, December 19). Today my friend @katieholmes212 was born and although I celebrate her strength, kindness, beauty, drive and superb parenting every day, today is for you lucky to watch from the sidelines. [Photograph]. Instagram. https://www.instagram.com/p/CI8x3mjB_6f/ – reference: Siriano, C. [@csiriano]. (2020a, October 20). Can’t believe our show was a month ago wow what is time anymore. ? [Photograph]. Instagram. https://www.instagram.com/p/CGjEf9rHYk5/ – reference: Posen, Z. [@zacposen]. (2020b, November 16). Sunday Beach walk & catch up with my dear friend #victoriabrynner ?Some serious reflections, lots of laughing, a few tears, and needed cathartic leaps! Love you @victoriabrynner ? [Photograph]. Instagram. https://www.instagram.com/p/CHoXq3UBVUU/ – reference: Thoits, P. A., & Virshup, L. K. (1997). Me’s and we’s. Self and identity: Fundamental issues, 106–133. – reference: CohnJFZlochowerAJLienJKanadeTAutomated face analysis by feature point tracking has high concurrent validity with manual FACS codingPsychophysiology199936135431:STN:280:DyaK1M7pvVCmsw%3D%3D10.1017/S004857729997118410098378 – reference: Jones, K. [@mrkimjones]. (2021a, January 8). 2 weeks to the next men’s @dior show - show 4 featuring @danielarsham [Photograph]. Instagram. https://www.instagram.com/p/CJxjGcAJJVp/ – reference: Fearon, J. D. (1999). What is identity (as we now use the word). Unpublished manuscript, Stanford University, Stanford, Calif. – reference: SwannWBIdentity negotiation: where two roads meetJournal of Personality and Social Psychology1987536103810.1037/0022-3514.53.6.10383320335 – reference: Ha, Y.-I., Kwon, S., Cha, M., & Joo, J. (2017). Fashion conversation data on instagram. Proceedings of the International AAAI Conference on Web and Social Media – reference: Siriano, C. [@csiriano]. (2020c, December 3). Poppy helped me paint all of these for you guys for holiday gifts and they are available now at ChristianSiriano.com! [Photograph]. Instagram. https://www.instagram.com/p/CITdtVzn89H/ – reference: Versace, D. [@donatella_versace]. (2021, January 13). Kendal! A little preview of the #VersaceSS21 campaign with my new La Medusa handbag. @kendaljenner [Photograph]. Instagram. www.instagram.com/p/CJ8-qVwFk18/ – reference: BossioDSaccoVFrom “selfies” to breaking tweets: How journalists negotiate personal and professional identity on social mediaJournalism practice201711552754310.1080/17512786.2016.1175314 – reference: Megvii. (n.d.). Face++. Megvii. Retrieved December 9 from www.faceplusplus.com – reference: StetsJEBurkePJIdentity theory and social identity theorySocial Psychology Quarterly200010.2307/2695870 – reference: Bovan, M. [@babbym]. (2020, November 4). I’m so happy to share that I’m contributing to the forthcoming ONE OF A KIND exhibition curated by Tom Hingston @hingstonstudio and supporting the amazing work of @Teenage_Cancer [Photograph]. Instagram. https://www.instagram.com/p/CIYB-jALlNX/ – reference: Ferri, M. [@martaferrimartaferri]. (2020a, December 22). The New year’s Classics are HERE!!!!! PRE ORDER NOW ??Merry Christmas! ?????? #shoponline #linkinbio www.martaf [Photograph]. Instagram. https://www.instagram.com/p/CJGTFhRpET8/ – reference: Cohn, J. F., & De la Torre, F. (2015). Automated face analysis for affective computing. The Oxford handbook of affective computing, 131–150. https://doi.org/10.1093/oxfordhb/9780199942237.013.020 – reference: Ferri, M. [@martaferrimartaferri]. (2020b, November 19). When fitting the “Noel” red dress for the very first time this august in Puglia! NOW available on line home collection “entertaining at home” exclusively for @matchesfashion shop atwww.matchesfashion.com ?? ? Credit la Mia mika ? @camillav [Photograph]. Instagram. https://www.instagram.com/p/CHvZzbhpk5j/ – reference: De VeirmanMHuddersLNelsonMRWhat is influencer marketing and how does it target children? A review and direction for future researchFrontiers in Psychology201910268510.3389/fpsyg.2019.02685318497836901676 – reference: ZhaoSGrasmuckSMartinJIdentity construction on Facebook: Digital empowerment in anchored relationshipsComputers in Human Behavior20082451816183610.1016/j.chb.2008.02.012 – reference: EdwardsEBEspositoJIntersectional analysis as a method to analyze popular culture: Clarity in the matrix2019Routledge10.4324/9780429056314 – reference: Posen, Z. [@zacposen]. (2020a, December 3). The eclectic “alien mix” that makes up the Los Angeles horticulture Vocabulary..??literally A-to-Z specimens from every tropical corner of world! . ????? ##inthegardenwithzac #gardeningwithzac #qt [Photograph]. Instagram. https://www.instagram.com/p/CIUL13RB22k/ – reference: Siriano, C. [@csiriano]. (2020d, December 29). This is our last Monday this year! We can’t believe what we did, WOW! Normally this would be #maskmonday where [Photograph]. Instagram. https://www.instagram.com/p/CJWby1hHQx5/ – reference: Kalayeh, M. M., Seifu, M., LaLanne, W., & Shah, M. (2015). How to take a good selfie? Proceedings of the 23rd ACM international conference on Multimedia, – reference: Miller, B. (n.d.). Torso. In Miller-Keane Encyclopedia and Dictionary of Medicine, Nursing and Allied Health. Retrieved May 28 2021, from https://medical-dictionary.thefreedictionary.com/torso – reference: Merler, M., Cao, L., & Smith, J. R. (2015). You are what you tweet… pic! gender prediction based on semantic analysis of social media images. 2015 IEEE International Conference on Multimedia and Expo (ICME), – reference: BurnsLDMulletKKBryantNOThe business of fashion: Designing, manufacturing, and marketing2016Bloomsbury Publishing – reference: HermidaA# Journalism: Reconfiguring journalism research about Twitter, one tweet at a timeDigital journalism20131329531310.1080/21670811.2013.808456 – reference: Jacobs, M. [@themarcjacobs]. (2021, January 18). Mice Mice baby. Really enjoying these @balenciaga earrings. [Photograph]. Instagram. https://www.instagram.com/p/CKKNfqiMq5A/ – reference: RamadanZFarahMFDukenjianATypology of social media followers: the case of luxury brandsMarketing Intelligence & Planning201810.1108/MIP-01-2018-0039 – reference: Battan, C. (2021). The Very Tactical Ascent of Givenchy Designer Matthew Williams. GQ. https://www.gq.com/story/givenchy-designer-matthew-williams-profile – reference: Jones, K. [@mrkimjones]. (2021b, January 19). 4 days until we present the men’s winter @dior collection with the wonderful @peterdoig a great artist and a great man! The invitation is a painting of Christian Dior in an outfit designed and made by Pierre Cardin for a masked ball 1949 [Photograph]. Instagram. https://www.instagram.com/p/CKMxpOcpwmH/ – reference: TafesseWContent strategies and audience response on Facebook brand pagesMarketing Intelligence & Planning201510.1108/MIP-07-2014-0135 – reference: Siriano, C. [@csiriano]. (2020b, November 19). On your Birthday (35 WOW) it’s customary to post a puppy photo and YES we both have green eyes! Thanks for all the love today and if you can spare a dollar, please send to your local animal shelter that might need help saving a cute, smart and sweet animals life. ? [Photograph]. Instagram. https://www.instagram.com/p/CHvYSreHXvA/ – reference: Tordini, G. [@giorgiatordini]. (2020b, March 22). Embrace transformation [Photograph]. Instagram. https://www.instagram.com/p/BCh1MwDkJM/ – reference: TajfelHTurnerJAustinWGWorchelSAn integrative theory of inter-group conflictThe social psychology of inter-group relations1979Brooks/Cole – reference: Tordini, G. [@giorgiatordini]. (2020a, June 20). BLM #BlackOutTuesday [Photograph]. Instagram. https://www.instagram.com/p/CA7UJn7DIXe/ – reference: CreweLWhen virtual and material worlds collide: democratic fashion in the digital ageEnvironment and Planning A201345476078010.1068/a4546 – reference: Jones, K. [@mrkimjones]. (2021c, March 18). Volt or Orange Kim Jones Nike air Max 95 available tomorrow 19-3-21 @nike photographed by @juergentellerstudio along with the collection [Photograph]. Instagram. https://www.instagram.com/p/CMkGVDUJYRt/ – reference: Tordini, G. [@giorgiatordini]. (2020c, April 4). We are LIVE! Link in bio [Photograph]. Instagram. https://www.instagram.com/p/B-jlorcDEgR/ – reference: Arbesser, A. [@arthurarbesser]. (2021, January 4). 2021 off we go…back in the studio [Photograph]. Instagram. https://www.instagram.com/p/CJnj3qDHDkr/ – reference: CoelhoRLFde OliveiraDSde AlmeidaMISDoes social media matter for post typology? Impact of post content on Facebook and Instagram metricsOnline Information Review201610.1108/OIR-06-2015-0176 – reference: Subrahmanyam, K., & Šmahel, D. (2011). Constructing identity online: Identity exploration and self-presentation. In Digital youth (pp. 59–80). Springer. – reference: Ambrosio, G. [@gildaambrosio]. (2020a, October 17). [Photograph]. Instagram. https://www.instagram.com/p/CGcVAnUAR4M/ – reference: Asano, E. (2019). Influencer tiers for the influencer marketing industry. mediakix. https://mediakix.com/influencer-marketing-resources/influencer-tiers/#:~:text=The%20standard%20Instagram%20influencer%20tiers,tier%20influencers%3A%2050%2C000%20%E2%80%93%20500%2C000%20followers – reference: Kuzmickaite, A. [@agnekuzmickaite]. (2020, October 19). Kai nespėji pasidažyt imi akinius nuo saulės ???#celine @celine #agnekuzmicka [Photograph]. Instagram. https://www.instagram.com/p/CGfsWUDAJC5/ – reference: HeivadiTKhajeheianDConstruction of social identity in social media: An investigation of Iranian users’ appearance in FacebookInterdisciplinary Journal of Contemporary Research in Business2013412547 – reference: Williams, M. [@matthewmwilliams]. (2020, October 16). new antigona line for @givenchyofficial now available for preorder at givenchy.com [Photograph]. Instagram. https://www.instagram.com/p/CGZ8LnPJXA1/ – reference: EntwistleJThe fashioned body: Fashion, dress and social theory2015John Wiley & Sons – reference: PostmesTBranscombeNRRediscovering social identity2010Psychology Press – reference: Ambrosio, G. [@gildaambrosio]. (2020b, October 5). Studio Fw 21/22 [Photograph]. Instagram. https://www.instagram.com/p/CF9EkxJA-8f/ – reference: Bonaldi, P. [@patriciabonaldi]. (2021, May 16). ? lover??!!! Não vivo sem e vcs ? #pizzalo [Photograph]. https://www.instagram.com/p/CO6RfsfpZZF/ – reference: Braojos-GomezJBenitez-AmadoJLlorens-MontesFJHow do small firms learn to develop a social media competence?International Journal of Information Management201535444345810.1016/j.ijinfomgt.2015.04.003 – reference: HongSJahngMRLeeNWiseKRDo you filter who you are?: Excessive self-presentation, social cues, and user evaluations of Instagram selfiesComputers in Human Behavior202010410615910.1016/j.chb.2019.106159 – reference: Bakshy, E., Hofman, J. M., Mason, W. A., & Watts, D. J. (2011). Everyone's an influencer: quantifying influence on twitter. Proceedings of the fourth ACM international conference on Web search and data mining, – reference: HsiaoS-HWangY-YWangTKaoT-WHow social media shapes the fashion industry: the spillover effects between private labels and national brandsIndustrial Marketing Management202086405110.1016/j.indmarman.2019.02.022 – volume: 35 start-page: 443 issue: 4 year: 2015 ident: 275_CR12 publication-title: International Journal of Information Management doi: 10.1016/j.ijinfomgt.2015.04.003 – ident: 275_CR33 – ident: 275_CR62 – ident: 275_CR43 – ident: 275_CR3 – ident: 275_CR6 doi: 10.1145/1935826.1935845 – ident: 275_CR47 – ident: 275_CR24 – volume: 1 start-page: 164 issue: 3 year: 2010 ident: 275_CR38 publication-title: Journal of Global Fashion Marketing doi: 10.1080/20932685.2010.10593068 – year: 2000 ident: 275_CR51 publication-title: Social Psychology Quarterly doi: 10.2307/2695870 – year: 2017 ident: 275_CR21 publication-title: International Journal of Wine Business Research doi: 10.1108/IJWBR-04-2016-0013 – volume-title: The social psychology of inter-group relations year: 1979 ident: 275_CR56 – ident: 275_CR10 – volume-title: The fashioned body: Fashion, dress and social theory year: 2015 ident: 275_CR23 – ident: 275_CR36 – ident: 275_CR63 – volume: 45 start-page: 760 issue: 4 year: 2013 ident: 275_CR19 publication-title: Environment and Planning A doi: 10.1068/a4546 – ident: 275_CR42 – ident: 275_CR7 – volume-title: Intersectional analysis as a method to analyze popular culture: Clarity in the matrix year: 2019 ident: 275_CR22 doi: 10.4324/9780429056314 – ident: 275_CR25 – ident: 275_CR37 doi: 10.1145/2733373.2806365 – year: 2016 ident: 275_CR16 publication-title: Online Information Review doi: 10.1108/OIR-06-2015-0176 – ident: 275_CR15 – ident: 275_CR32 – volume: 11 start-page: 527 issue: 5 year: 2017 ident: 275_CR9 publication-title: Journalism practice doi: 10.1080/17512786.2016.1175314 – volume: 4 start-page: 547 issue: 12 year: 2013 ident: 275_CR28 publication-title: Interdisciplinary Journal of Contemporary Research in Business – ident: 275_CR35 – ident: 275_CR60 – ident: 275_CR27 doi: 10.1609/icwsm.v11i1.14858 – volume: 80 start-page: 15 issue: 2012 year: 2012 ident: 275_CR13 publication-title: Produsing Theory in a Digital World: The Intersection of Audiences and Production in Contemporary Theory – ident: 275_CR39 – ident: 275_CR58 – volume: 36 start-page: 35 issue: 1 year: 1999 ident: 275_CR18 publication-title: Psychophysiology doi: 10.1017/S0048577299971184 – volume: 104 start-page: 106159 year: 2020 ident: 275_CR30 publication-title: Computers in Human Behavior doi: 10.1016/j.chb.2019.106159 – ident: 275_CR8 – ident: 275_CR41 – ident: 275_CR1 – ident: 275_CR4 – ident: 275_CR53 doi: 10.1007/978-1-4419-6278-2_4 – ident: 275_CR50 – ident: 275_CR26 – volume: 10 start-page: 2685 year: 2019 ident: 275_CR20 publication-title: Frontiers in Psychology doi: 10.3389/fpsyg.2019.02685 – ident: 275_CR49 – volume-title: The business of fashion: Designing, manufacturing, and marketing year: 2016 ident: 275_CR14 – ident: 275_CR11 doi: 10.31219/osf.io/22hq2 – ident: 275_CR01 doi: 10.1109/ICME.2015.7177499 – volume-title: Rediscovering social identity year: 2010 ident: 275_CR45 – year: 2015 ident: 275_CR55 publication-title: Marketing Intelligence & Planning doi: 10.1108/MIP-07-2014-0135 – ident: 275_CR59 – ident: 275_CR61 – volume: 1 start-page: 295 issue: 3 year: 2013 ident: 275_CR29 publication-title: Digital journalism doi: 10.1080/21670811.2013.808456 – ident: 275_CR34 – volume: 86 start-page: 40 year: 2020 ident: 275_CR31 publication-title: Industrial Marketing Management doi: 10.1016/j.indmarman.2019.02.022 – volume: 53 start-page: 1038 issue: 6 year: 1987 ident: 275_CR54 publication-title: Journal of Personality and Social Psychology doi: 10.1037/0022-3514.53.6.1038 – ident: 275_CR40 – ident: 275_CR2 – ident: 275_CR5 – volume: 1 start-page: 311 year: 1985 ident: 275_CR52 publication-title: Handbook of Social Psychology – ident: 275_CR44 – ident: 275_CR17 doi: 10.1093/oxfordhb/9780199942237.013.020 – ident: 275_CR48 – volume: 24 start-page: 1816 issue: 5 year: 2008 ident: 275_CR64 publication-title: Computers in Human Behavior doi: 10.1016/j.chb.2008.02.012 – ident: 275_CR57 doi: 10.1093/oso/9780195098266.003.0005 – year: 2018 ident: 275_CR46 publication-title: Marketing Intelligence & Planning doi: 10.1108/MIP-01-2018-0039 |
SSID | ssj0001876674 |
Score | 2.226618 |
Snippet | In recent years, online identity and social media engagement have been areas of study that have garnered a lot of interest. However, studies have yet to... Abstract In recent years, online identity and social media engagement have been areas of study that have garnered a lot of interest. However, studies have yet... |
SourceID | nrf doaj unpaywall proquest crossref springer |
SourceType | Open Website Open Access Repository Aggregation Database Enrichment Source Index Database Publisher |
StartPage | 1 |
SubjectTerms | Business and Management Characterization and Evaluation of Materials Chemistry Chemistry and Materials Science Digital media Empirical analysis Environment Face recognition Fashion designers Identity Identity self-verification Life Sciences Measurement methods Personal identity Role identity Social identity Social networks Textile Engineering Torso 생활과학 |
SummonAdditionalLinks | – databaseName: DOAJ Directory of Open Access Journals dbid: DOA link: http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwrV1La9wwEBYllzSHkvRBN02LKL01ImtrJFnHtHRJC-0phRwKQtYjhCzesLuh5Ja_0b_XX5IZ2bvdXNIeajAGSzLSaOSZT5oHY-9qDx5CiqKNVRIoj5VogwURTN3GoKHygbYGvn7TJ9_hy5k620j1RTZhfXjgnnBHPkubY50RZ0gUPmAlmLaBmBN9yWb6-6IY2wBTZXcFF7k2sPKSafTRglw8ETnXeNNRnYB7kqgE7Ef50s3zPV1zfTy6w7avuyt_89NPpxsSaLLLngyqIz_uu7zHHqXuKdvZCCj4jP2YUG6kWcdjMcxI89-3vxb8onfGveGLNM0CeZfMg8qM8CFND--3znnxI-GpOx9MYjhWIXMCTzZcz9np5NPpxxMx5E8QQY3rpQiVCibGoFpIJiNOkVDnqJL14zqFSrYU2ywbaI0MoTGQISdLgChbI0HLF2yrm3XpJeOAoEabLFGUKWiTstrLsc9NlSzoFMYjVq1I6cIQW5xSXExdwRiNdj35HZLfFfI7GLH36zZXfWSNB2t_oBla16So2OUF8oobeMX9jVdG7C3Or7sMF6U9Pc9n7nLuEDt8dqip4dWM2MFq-t2wnheOotorRJZUfLhiiT_FD_X7cM02_zDM_f8xzFfscU1OGuR4rw7Y1nJ-nV6j6rRs35RVcger3xGW priority: 102 providerName: Directory of Open Access Journals – databaseName: Springer Nature OA Free Journals dbid: C24 link: http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwlV1fa9RAEF-0PtQ-FK1Kz1ZZxDcbvGRnd5PH9vCogj5V6IOw7G52j9IjV5Ir0je_hl_PT-LMJjlbkKKBEMj-IcnMZGZ25zfD2NvCggUf6szVechQH8vM-QoyrwtXewW59bQ08PmLOv0Kn87l-QAK68Zo93FLMv2pk1iX6n1HGE10fQs8aa8tg4fsEdofiuoWzAaMQ1pZQQFXGkaEzF-H3tFCKVk_6pamjXfszM3W6A7bvm6u7M13u1ze0j7zJ2x3MBv5cU_np-xBaPbY9mys1rbHdm4lFnzGvs2pRtKq4XUK0Ajtrx8_O37Rg3JveBeWMUMepjChRBk-lOvh_RI6T3gSHprFEBrDsQuFFViK5XrOzuYfzman2VBHIfNyWqwzn0uv69pLB0FH9FcEFLGWobLTIvhcOMpxFjU4LbwvNUSIoSLHKFZagBIv2FazasI-44DOjdJRoEqT4IKslBVTG8s8VKCCn05YPn5W44cc41TqYmmSr1Eq05PCIClMIoWBCXu3GXPVZ9i4t_cJUWvTk7JjpxurdmEGYTM2iirWRUTfVOAMUAnQroQ6BuK-Kk7YG6S1ufQXaTxdFytz2Rr0IT4atNjwKCfscGQFM8h1Zyi7vUQPk5qPRvb403zfcx9tWOgfXvPl_81-wB4XBMsgqL08ZFvr9jq8QmNp7V4n2fgNYz0Jyw priority: 102 providerName: Springer Nature |
Title | Fashion designer’s identity self-verification through social media engagement on Instagram |
URI | https://link.springer.com/article/10.1186/s40691-021-00275-4 https://www.proquest.com/docview/2632516438 https://link.springer.com/track/pdf/10.1186/s40691-021-00275-4 https://doaj.org/article/af39fd2f156340649347b84dfec6419f https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART002814578 |
UnpaywallVersion | publishedVersion |
Volume | 9 |
hasFullText | 1 |
inHoldings | 1 |
isFullTextHit | |
isPrint | |
ispartofPNX | Fashion and Textiles, 2022, 9(1), , pp.1-23 |
journalDatabaseRights | – providerCode: PRVAFT databaseName: Colorado Digital library customDbUrl: eissn: 2198-0802 dateEnd: 99991231 omitProxy: true ssIdentifier: ssj0001876674 issn: 2198-0802 databaseCode: KQ8 dateStart: 20140101 isFulltext: true titleUrlDefault: http://grweb.coalliance.org/oadl/oadl.html providerName: Colorado Alliance of Research Libraries – providerCode: PRVAON databaseName: DOAJ Directory of Open Access Journals customDbUrl: eissn: 2198-0802 dateEnd: 99991231 omitProxy: true ssIdentifier: ssj0001876674 issn: 2198-0802 databaseCode: DOA dateStart: 20140101 isFulltext: true titleUrlDefault: https://www.doaj.org/ providerName: Directory of Open Access Journals – providerCode: PRVHPJ databaseName: ROAD: Directory of Open Access Scholarly Resources customDbUrl: eissn: 2198-0802 dateEnd: 99991231 omitProxy: true ssIdentifier: ssj0001876674 issn: 2198-0802 databaseCode: M~E dateStart: 20140101 isFulltext: true titleUrlDefault: https://road.issn.org providerName: ISSN International Centre – providerCode: PRVPQU databaseName: ProQuest Technology Collection customDbUrl: eissn: 2198-0802 dateEnd: 99991231 omitProxy: true ssIdentifier: ssj0001876674 issn: 2198-0802 databaseCode: 8FG dateStart: 20140601 isFulltext: true titleUrlDefault: https://search.proquest.com/technologycollection1 providerName: ProQuest – providerCode: PRVAVX databaseName: Springer Nature HAS Fully OA customDbUrl: eissn: 2198-0802 dateEnd: 99991231 omitProxy: true ssIdentifier: ssj0001876674 issn: 2198-0802 databaseCode: AAJSJ dateStart: 20141201 isFulltext: true titleUrlDefault: https://www.springernature.com providerName: Springer Nature – providerCode: PRVAVX databaseName: Springer Nature OA Free Journals customDbUrl: eissn: 2198-0802 dateEnd: 99991231 omitProxy: true ssIdentifier: ssj0001876674 issn: 2198-0802 databaseCode: C24 dateStart: 20141201 isFulltext: true titleUrlDefault: https://link.springer.com/search?facet-content-type=%22Journal%22 providerName: Springer Nature – providerCode: PRVAVX databaseName: Springer Nature OA Free Journals customDbUrl: eissn: 2198-0802 dateEnd: 99991231 omitProxy: true ssIdentifier: ssj0001876674 issn: 2198-0802 databaseCode: C6C dateStart: 20141201 isFulltext: true titleUrlDefault: http://www.springeropen.com/ providerName: Springer Nature |
link | http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwjR3LbtQw0IL2AD0gnmKhrCLEjVrdxJM4OaHt0qWs1ApBkXpAshLHXlVdJUuyFeqN3-D3-BJmHGe3vayIlFhy7Dw8Y8_D82DsXZRDDtqUvChDw5Eex7zQGXAto6LUCYS5JtXA6Vly8h1mF_GFV7i13qyyXxPdQl3WmnTkhxRXPEbeXqQflj85ZY2i3VWfQuM-2w2xAZl0pdNPGx0LTvVEQu8rkyaHLTl6ovwc4Ukbdhzu0CMXth-pTNXYOxznepN0jz24rpb5za98sbhFh6aP2SPPQAbjDuJP2D1TPWV7t8IKPmM_ppQhqa6C0plnmObv7z9tcNm55N4ErVlYjhhMRkIOLoFP1hN0CvTAeZMEppp7w5gAm5BRQU6WXM_Z-fT4fHLCfRYFruNRtOI6jLUsSx0XYKRFaUVAZMvYZPkoMjoUBUU4sxIKKbROJViwJiOxyGZSQCJesJ2qrsxLFgCKNom0AglaDIWJsyQXo9ymockgMXo0YGE_lEr7COOU6GKhnKSRJqobfoXDr9zwKxiw9-s-yy6-xtbWRwShdUuKje0q6mau_FRTuRWZLSOLkqnAJ0AmQBYplNYQ7mV2wN4ifNWVvnT9qZzX6qpRKEF8Vsiv4ZEO2H4PfuVndas2ODhgBz1KbG5v--6DNdr8x2--2v7y1-xhRE4Y5Fgf77OdVXNt3iBrtCqGDv-HbHc8nn2bYXl0fPblK9ZOIqBrMhk6pQNeT8OP_wAn8Q_a |
linkProvider | ProQuest |
linkToHtml | http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMwtR3LbtNAcFTKofSAeApDgRWCE7Uae8evA0K8QkIfpyD1gLSy17tR1cgOdqoqN36Dj-Cn-BJm_EjaS8SllixL9u7ansfOzO48AF77KaaoTe5muWdckseBm-kEXR35Wa5D9FLNSwPHJ-HoO347DU634E8fC8Nulf2c2EzUeal5jfyA84oHpNvL-P38p8tVo3h3tS-h0ZLFoVlekslWvxt_Jvy-8f3hl8mnkdtVFXB1MPAXrvYCHeW5DjI0kSXtXaJv88Ak6cA32pMZZ_yyEWaR1DqO0KI1CZsJNokkhpKGvQW3UUrJqfrj4df1kg7NLGGEfWhOHB7UHFdK5rpPJ-8PunhN_DVVAkioFZW9puCu9mR3YeeimKfLy3Q2uyL2hvfgbqevig8tgd2HLVM8gN0rWQwfwo8hF2QqC5E33iCm-vvrdy3O2gjgpajNzLrEMOyT1JCB6GoDiXa9XjTBK8IU084PR1AT9mFI2XHsEUxuAryPYbsoC_MEBJIlFUZWkvwMMDNBEqZykNrYMwmGRg8c8HpQKt0lNOe6GjPVGDZxqFrwKwK_asCv0IG3qz7zNp3HxtYfGUOrlpyKu7lRVlPVcbZKrUxs7lsyhCWNgInEKIsxt4ZJPbEOvCL8qnN91vTn67RU55Uig2WsSD2kI3Zgr0e_6iaRWq1J3oH9niTWjzd99_6KbP7jN59ufvlL2BlNjo_U0fjk8Bnc8Tn-g2P6gz3YXlQX5jlpZYvsRcMLAtQN894_oWtFVQ |
linkToPdf | http://utb.summon.serialssolutions.com/2.0.0/link/0/eLvHCXMw1V1Lb9QwEB6VIgE98EYEClgITjTdJHbi5IAQsKy6lFYcitRDJStx7FW1q2TZh6rlxN_gp_BXOPJLmMljt-Ww4tIDkaJIiZ2H83k8Y898A_AiSEUqtMndLPeNi-Nx6GY6Ea6WQZbrSPippqmBg8No74v4eBweb8DPNhaG3CpbmVgJ6rzUNEfeIV7xEHV7Hnds4xbxudt7M_7qUgYpWmlt02nUENk3izM036av-1381y-DoPfh6P2e22QYcHXoBTNX-6GWea7DTBhpUZPnIrB5aJLUC4z2eUbsX1aKTHKtYymssCYhk8EmkouI422vwFUpIo9o-w_87mp6B6VMJEUbphNHnSnFmKLpHuBOa4WuuDAUVhkDcIArJvaCsrtcn92C6_NinC7O0tHo3BDYuwW_2sarPV-Gu_NZtqu__cUr-V-27m242Sjm7G3dk-7AhinuwtY5usZ7cNKjzFNlwfLK7cVMfn__MWWndajzgk3NyLooGcj5qsI7a5IgsXphglVROswUg8bhiGERctZIyUPuPhxdxtc9gM2iLMxDYAJNxkhajopCKDITJlHKvdTGvklEZLTngN_iROmGuZ0SiIxUZcHFkaqxpRBbqsKWEg68WtYZ17wla0u_I_gtSxLneHWinAxUI8JUanli88Cixc_xDiLhQmaxyK2hPp1YB54jeNVQn1b16Tgo1XCi0DLrK9SDcYsd2G4BqBppOVUr9Dmw0-J9dXnde-8s-8Q_fOaj9Q9_BtcQ9OpT_3D_MdwIKM6FuAvCbdicTebmCWqfs-xp1c8ZqEtG_h_jZJCi |
openUrl | ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info%3Asid%2Fsummon.serialssolutions.com&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Fashion+designer%E2%80%99s+identity+self-verification+through+social+media+engagement+on+Instagram&rft.jtitle=Fashion+and+textiles&rft.au=Cheung%2C+Tin+Chun&rft.au=Choi+Sun+Young&rft.date=2022-02-25&rft.pub=Springer+Nature+B.V&rft.eissn=2198-0802&rft.volume=9&rft.issue=1&rft_id=info:doi/10.1186%2Fs40691-021-00275-4&rft.externalDBID=HAS_PDF_LINK |
thumbnail_l | http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/lc.gif&issn=2198-0802&client=summon |
thumbnail_m | http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/mc.gif&issn=2198-0802&client=summon |
thumbnail_s | http://covers-cdn.summon.serialssolutions.com/index.aspx?isbn=/sc.gif&issn=2198-0802&client=summon |