"Even I Was Tempted": The Moral Ambivalence and Ethical Practice of Veiling-Fashion in Turkey

Veiling-fashion, with its array of brands and ever-changing styles, has been on the rise in Turkey in the past decade. Although the producers of these styles present them as the perfect melding of fashion and piety, our analysis of focus groups with consumers in Istanbul and Konya in 2009 shows that...

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Published inAnnals of the Association of American Geographers Vol. 102; no. 4; pp. 847 - 862
Main Authors Gökarıksel, Banu, Secor, Anna
Format Journal Article
LanguageEnglish
Published Washington, DC Taylor & Francis Group 01.07.2012
Association of American Geographers
Taylor & Francis Ltd
Subjects
Online AccessGet full text
ISSN0004-5608
2469-4452
1467-8306
1467-8306
2469-4460
DOI10.1080/00045608.2011.601221

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Abstract Veiling-fashion, with its array of brands and ever-changing styles, has been on the rise in Turkey in the past decade. Although the producers of these styles present them as the perfect melding of fashion and piety, our analysis of focus groups with consumers in Istanbul and Konya in 2009 shows that veiling-fashion is, in practice, rife with ambivalence. Veiling is undertaken in relation to the moral code of of Islam, but fashion, as consumption, works as part of an ever-shifting economy of taste and distinction. In Baudrillard's terms, veiling-fashion is morally ambivalent, caught between its function as modest covering according to Islam and its social signification. In their negotiation of this ambivalence, consumers of these styles turn veiling-fashion into an ethical practice, into part of how they form themselves in relation both to a moral code (Islam) and to the aesthetics, politics, and pleasures of their sociospatial environments. The ethical practice of veiling-fashion thus engages a complex spatial field of bodies, homes, streets, military or state spaces, and public arenas. Veiling-fashion consumers describe their daily practices in terms of a problem of self-governance, or the management of nefis, the bodily or material desires aroused by consumption and its display. In this management of nefis through the technology of veiling-fashion these women form themselves as subjects of ethico-politics in Turkey today.
AbstractList Veiling-fashion, with its array of brands and ever-changing styles, has been on the rise in Turkey in the past decade. Although the producers of these styles present them as the perfect melding of fashion and piety, our analysis of focus groups with consumers in Istanbul and Konya in 2009 shows that veiling-fashion is, in practice, rife with ambivalence. Veiling is undertaken in relation to the moral code of of Islam, but fashion, as consumption, works as part of an ever-shifting economy of taste and distinction. In Baudrillard's terms, veiling-fashion is morally ambivalent, caught between its function as modest covering according to Islam and its social signification. In their negotiation of this ambivalence, consumers of these styles turn veiling-fashion into an ethical practice, into part of how they form themselves in relation both to a moral code (Islam) and to the aesthetics, politics, and pleasures of their sociospatial environments. The ethical practice of veiling-fashion thus engages a complex spatial field of bodies, homes, streets, military or state spaces, and public arenas. Veiling-fashion consumers describe their daily practices in terms of a problem of self-governance, or the management of nefis, the bodily or material desires aroused by consumption and its display. In this management of nefis through the technology of veiling-fashion these women form themselves as subjects of ethico-politics in Turkey today.
Veiling-fashion, with its array of brands and ever-changing styles, has been on the rise in Turkey in the past decade. Although the producers of these styles present them as the perfect melding of fashion and piety, our analysis of focus groups with consumers in Istanbul and Konya in 2009 shows that veiling-fashion is, in practice, rife with ambivalence. Veiling is undertaken in relation to the moral code of of Islam, but fashion, as consumption, works as part of an ever-shifting economy of taste and distinction. In Baudrillard's terms, veiling-fashion is morally ambivalent, caught between its function as modest covering according to Islam and its social signification. In their negotiation of this ambivalence, consumers of these styles turn veiling-fashion into an ethical practice, into part of how they form themselves in relation both to a moral code (Islam) and to the aesthetics, politics, and pleasures of their sociospatial environments. The ethical practice of veiling-fashion thus engages a complex spatial field of bodies, homes, streets, military or state spaces, and public arenas. Veiling-fashion consumers describe their daily practices in terms of a problem of self-governance, or the management of nefis, the bodily or material desires aroused by consumption and its display. In this management of nefis through the technology of veiling-fashion these women form themselves as subjects of ethico-politics in Turkey today. [PUBLICATION ABSTRACT]
Veiling-fashion, with its array of brands and ever-changing styles, has been on the rise in Turkey in the past decade. Although the producers of these styles present them as the perfect melding of fashion and piety, our analysis of focus groups with consumers in Istanbul and Konya in 2009 shows that veiling-fashion is, in practice, rife with ambivalence. Veiling is undertaken in relation to the moral code of of Islam, but fashion, as consumption, works as part of an ever-shifting economy of taste and distinction. In Baudrillard's terms, veiling-fashion is morally ambivalent, caught between its function as modest covering according to Islam and its social signification. In their negotiation of this ambivalence, consumers of these styles turn veiling-fashion into an ethical practice, into part of how they form themselves in relation both to a moral code (Islam) and to the aesthetics, politics, and pleasures of their sociospatial environments. The ethical practice of veiling-fashion thus engages a complex spatial field of bodies, homes, streets, military or state spaces, and public arenas. Veiling-fashion consumers describe their daily practices in terms of a problem of self-governance, or the management of nefis, the bodily or material desires aroused by consumption and its display. In this management of nefis through the technology of veiling-fashion these women form themselves as subjects of ethico-politics in Turkey today. 面纱时尚,以其品牌和不断变化的款式阵列,在过去十年己经在土耳其的崛起。虽然这些样式的生产者把它们作为完美地融合时尚和虔诚的商品,我们对 2009 年在伊斯坦布尔和科尼亚的消费者的焦点团体的分析表明,在实践中,面纱时尚充斥着矛盾心理。面纱有关伊斯兰道德准则的行为,但时尚,作为消费,是一个不断变化的品味和差别经济的一部分。在鲍德里亚的术语里,面纱时尚在道义上是矛盾的,它陷于基于伊斯兰教的作为谦卑的覆盖功能和它的社会意义之间的矛盾。在这种矛盾心理的纠结中,这些款式的消费者把面纱时尚变成了一个道德实践,演变到有关她们如何形成既与一个道德准则(伊斯兰教),也与美学,政治,和其社会部分环境的乐趣相对应的自我。面纱时尚的道德实践活动,从而涉及了一个由个体,家庭,街道,军事或状态空间,和公共领域组成的复杂的空间领域。面纱时尚的消费者,依据自治的问题,或对美的管理,由于对面纱的消费和它的展现所引起的身体或物质的欲望,来描述她们的日常行为。在这种通过面纱时尚技术对美进行管理过程中,这些妇女在当今土耳其形成了她们自己的伦理政治科目。 La moda del velo, con su variedad de marcas y siempre cambiantes estilos, ha ido en aumento en Turquía en la última década. Aunque los fabricantes de estos estilos los presentan como la fusión perfecta de la moda y la devoción, nuestros análisis de grupos de enfoque con consumidores en Estambul e Iconia en 2009 muestra que el uso del velo está, en la práctica, lleno de ambivalencia. El velo se usa en relación con el código moral del Islam, pero la moda, como consumo, funciona como parte de una economía en constante cambio de gusto y distinción. En términos de Baudrillard, la moda del velo es moralmente ambivalente, atrapada entre su función de una modesta cobertura de acuerdo con el Islam y su significación social. En la gestión de esta ambivalencia, los consumidores de estos estilos vuelven el uso del velo en una práctica ética, en parte de cómo ellos se conciben tanto en relación a un código moral (el Islam) y a la estética, la política, y los placeres de sus entornos socio-espaciales. Así la práctica ética del uso del velo compromete a un complejo campo espacial de organismos, hogares, calles, espacios estatales o militares, y espacios públicos. Los consumidores del velo a la moda describen sus quehaceres cotidianos en términos de un problema de auto-gobierno, o el manejo del nefis, los deseos materiales o del cuerpo provocados por el consumo y su ostentación. En este manejo del nefis, a través de la tecnología del velo a la moda, estas mujeres se constituyen como sujetos de la ético-política en la Turquía actual.
Author Gökarıksel, Banu
Secor, Anna
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  fullname: Secor, Anna
  organization: Department of Geography , University of Kentucky
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Issue 4
Keywords Space
Ethics
Public space
Islam
Veiling
Woman
Identity
Private space
Social geography
Language English
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Snippet Veiling-fashion, with its array of brands and ever-changing styles, has been on the rise in Turkey in the past decade. Although the producers of these styles...
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SubjectTerms Aesthetics
Ambivalence
Asia
Bgi / Prodig
Bonnets
Brands
Consumers
consumo
Consumption
Dresses
Ethical codes
Ethical consumerism
Ethics
Fashion
Focus groups
Geography
Governance
Hair
Human geography
Islam
moda
Moral ambivalence
Morality
People, Place, and Region
Political ethics
Politics
Protective clothing
Southwest Asia
Spatial analysis
Turkey
Turquía
uso del velo
veiling
Veils
Women
ética
土耳其
时尚
消费
职业道德
面纱
Title "Even I Was Tempted": The Moral Ambivalence and Ethical Practice of Veiling-Fashion in Turkey
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https://www.proquest.com/docview/1312414882
https://www.proquest.com/docview/1323801421
https://durham-repository.worktribe.com/output/1288876
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