Ballet dancers cardiorespiratory, oxidative and muscle damage responses to classes and rehearsals
This study aimed to describe and compare ballet dancers' cardiorespiratory responses, muscle damage and oxidative stress levels during a ballet class (practice of isolated ballet exercises performed with barre/hand-rail support and across-the-floor movements to improve technical skills) and reh...
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| Published in | European journal of sport science Vol. 14; no. 3; pp. 199 - 208 |
|---|---|
| Main Authors | , , , , , , , , |
| Format | Journal Article |
| Language | English |
| Published |
England
Routledge
2014
|
| Subjects | |
| Online Access | Get full text |
| ISSN | 1746-1391 1536-7290 1536-7290 |
| DOI | 10.1080/17461391.2013.777796 |
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| Abstract | This study aimed to describe and compare ballet dancers' cardiorespiratory responses, muscle damage and oxidative stress levels during a ballet class (practice of isolated ballet exercises performed with barre/hand-rail support and across-the-floor movements to improve technical skills) and rehearsal (practice of ballet choreography involving technical-artistic skills to improve dancers' performance for shows). The 12 advanced female ballet dancers undertook three exercise sessions: maximum effort test, class and rehearsal. Heart rate (HR) and oxygen consumption (V̇O
2
) were continuously measured. Lactate was determined before 15 min and after class and rehearsal. Blood was sampled pre, post and 48 h after class and rehearsal for creatine kinase (CK), lipid peroxides (LPO) and glutathione analysis (GSSG/GSH). Class was of lower intensity than rehearsal as shown by V̇O
2
, HR and lactate values: V̇O
2
(mL.kg
−1
.min
−1
): 14.5±2.1 vs 19.1±1.7 (p < 0.001); HR (bpm.min
−1
): 145.7±17.9 vs 174.5±13.8 (p < 0.001); lactate (mmol.L
−1
): 4.2±1.1 vs 5.5±2.7 (p = 0.049). CK (IU) increased following class and rehearsal, remaining high 48 h after: class (pre = 109.3±48.5; post = 144±60; 48 h = 117.2±64.6); rehearsal (pre = 78.6±52.1; post = 122±70.7; 48 h = 104.9±89.5). LPO (µM) increased from pre-class (1.27±0.19) to post-class (1.41±0.19) and went down after 48 h (1.20±0.22). No LPO time-course changes followed the rehearsal. GSSG/GSH decreased 48 h after class and rehearsal. Greater increases in LPO post-class suggest it promotes CK release by an oxidative membrane-damage mechanism. Physiological increases of LPO and CK in class indicate it prepares the dancers for exercise-induced oxidative stress and muscle damage during rehearsals. Ballet dancers' muscle damage and oxidative stress responses seem not to be dependent on exercise intensity based on V̇O
2
responses. |
|---|---|
| AbstractList | This study aimed to describe and compare ballet dancers' cardiorespiratory responses, muscle damage and oxidative stress levels during a ballet class (practice of isolated ballet exercises performed with barre/hand-rail support and across-the-floor movements to improve technical skills) and rehearsal (practice of ballet choreography involving technical-artistic skills to improve dancers' performance for shows). The 12 advanced female ballet dancers undertook three exercise sessions: maximum effort test, class and rehearsal. Heart rate (HR) and oxygen consumption (VO2) were continuously measured. Lactate was determined before 15 min and after class and rehearsal. Blood was sampled pre, post and 48 h after class and rehearsal for creatine kinase (CK), lipid peroxides (LPO) and glutathione analysis (GSSG/GSH). Class was of lower intensity than rehearsal as shown by VO2, HR and lactate values: VO2 (mL.kg(-1).min(-1)): 14.5±2.1 vs. 19.1±1.7 (p < 0.001); HR (bpm.min(-1)): 145.7±17.9 vs. 174.5±13.8 (p < 0.001); lactate (mmol.L(-1)): 4.2±1.1 vs. 5.5±2.7 (p = 0.049). CK (IU) increased following class and rehearsal, remaining high 48 h after: class (pre = 109.3±48.5; post = 144±60; 48 h = 117.2±64.6); rehearsal (pre = 78.6±52.1; post = 122±70.7; 48 h = 104.9±89.5). LPO (µM) increased from pre-class (1.27±0.19) to post-class (1.41±0.19) and went down after 48 h (1.20±0.22). No LPO time-course changes followed the rehearsal. GSSG/GSH decreased 48 h after class and rehearsal. Greater increases in LPO post-class suggest it promotes CK release by an oxidative membrane-damage mechanism. Physiological increases of LPO and CK in class indicate it prepares the dancers for exercise-induced oxidative stress and muscle damage during rehearsals. Ballet dancers' muscle damage and oxidative stress responses seem not to be dependent on exercise intensity based on VO2 responses.This study aimed to describe and compare ballet dancers' cardiorespiratory responses, muscle damage and oxidative stress levels during a ballet class (practice of isolated ballet exercises performed with barre/hand-rail support and across-the-floor movements to improve technical skills) and rehearsal (practice of ballet choreography involving technical-artistic skills to improve dancers' performance for shows). The 12 advanced female ballet dancers undertook three exercise sessions: maximum effort test, class and rehearsal. Heart rate (HR) and oxygen consumption (VO2) were continuously measured. Lactate was determined before 15 min and after class and rehearsal. Blood was sampled pre, post and 48 h after class and rehearsal for creatine kinase (CK), lipid peroxides (LPO) and glutathione analysis (GSSG/GSH). Class was of lower intensity than rehearsal as shown by VO2, HR and lactate values: VO2 (mL.kg(-1).min(-1)): 14.5±2.1 vs. 19.1±1.7 (p < 0.001); HR (bpm.min(-1)): 145.7±17.9 vs. 174.5±13.8 (p < 0.001); lactate (mmol.L(-1)): 4.2±1.1 vs. 5.5±2.7 (p = 0.049). CK (IU) increased following class and rehearsal, remaining high 48 h after: class (pre = 109.3±48.5; post = 144±60; 48 h = 117.2±64.6); rehearsal (pre = 78.6±52.1; post = 122±70.7; 48 h = 104.9±89.5). LPO (µM) increased from pre-class (1.27±0.19) to post-class (1.41±0.19) and went down after 48 h (1.20±0.22). No LPO time-course changes followed the rehearsal. GSSG/GSH decreased 48 h after class and rehearsal. Greater increases in LPO post-class suggest it promotes CK release by an oxidative membrane-damage mechanism. Physiological increases of LPO and CK in class indicate it prepares the dancers for exercise-induced oxidative stress and muscle damage during rehearsals. Ballet dancers' muscle damage and oxidative stress responses seem not to be dependent on exercise intensity based on VO2 responses. This study aimed to describe and compare ballet dancers' cardiorespiratory responses, muscle damage and oxidative stress levels during a ballet class (practice of isolated ballet exercises performed with barre/hand‐rail support and across‐the‐floor movements to improve technical skills) and rehearsal (practice of ballet choreography involving technical‐artistic skills to improve dancers' performance for shows). The 12 advanced female ballet dancers undertook three exercise sessions: maximum effort test, class and rehearsal. Heart rate (HR) and oxygen consumption ( V̇ O 2 ) were continuously measured. Lactate was determined before 15 min and after class and rehearsal. Blood was sampled pre, post and 48 h after class and rehearsal for creatine kinase (CK), lipid peroxides (LPO) and glutathione analysis (GSSG/GSH). Class was of lower intensity than rehearsal as shown by V̇ O 2 , HR and lactate values: V̇ O 2 (mL.kg −1 .min −1 ): 14.5±2.1 vs 19.1±1.7 ( p < 0.001); HR (bpm.min −1 ): 145.7±17.9 vs 174.5±13.8 ( p < 0.001); lactate (mmol.L −1 ): 4.2±1.1 vs 5.5±2.7 ( p = 0.049). CK (IU) increased following class and rehearsal, remaining high 48 h after: class (pre = 109.3±48.5; post = 144±60; 48 h = 117.2±64.6); rehearsal (pre = 78.6±52.1; post = 122±70.7; 48 h = 104.9±89.5). LPO (µM) increased from pre‐class (1.27±0.19) to post‐class (1.41±0.19) and went down after 48 h (1.20±0.22). No LPO time‐course changes followed the rehearsal. GSSG/GSH decreased 48 h after class and rehearsal. Greater increases in LPO post‐class suggest it promotes CK release by an oxidative membrane‐damage mechanism. Physiological increases of LPO and CK in class indicate it prepares the dancers for exercise‐induced oxidative stress and muscle damage during rehearsals. Ballet dancers' muscle damage and oxidative stress responses seem not to be dependent on exercise intensity based on V̇ O 2 responses. This study aimed to describe and compare ballet dancers' cardiorespiratory responses, muscle damage and oxidative stress levels during a ballet class (practice of isolated ballet exercises performed with barre/hand‐rail support and across‐the‐floor movements to improve technical skills) and rehearsal (practice of ballet choreography involving technical‐artistic skills to improve dancers' performance for shows). The 12 advanced female ballet dancers undertook three exercise sessions: maximum effort test, class and rehearsal. Heart rate (HR) and oxygen consumption (V̇O2) were continuously measured. Lactate was determined before 15 min and after class and rehearsal. Blood was sampled pre, post and 48 h after class and rehearsal for creatine kinase (CK), lipid peroxides (LPO) and glutathione analysis (GSSG/GSH). Class was of lower intensity than rehearsal as shown by V̇O2, HR and lactate values: V̇O2 (mL.kg−1.min−1): 14.5±2.1 vs 19.1±1.7 (p < 0.001); HR (bpm.min−1): 145.7±17.9 vs 174.5±13.8 (p < 0.001); lactate (mmol.L−1): 4.2±1.1 vs 5.5±2.7 (p = 0.049). CK (IU) increased following class and rehearsal, remaining high 48 h after: class (pre = 109.3±48.5; post = 144±60; 48 h = 117.2±64.6); rehearsal (pre = 78.6±52.1; post = 122±70.7; 48 h = 104.9±89.5). LPO (µM) increased from pre‐class (1.27±0.19) to post‐class (1.41±0.19) and went down after 48 h (1.20±0.22). No LPO time‐course changes followed the rehearsal. GSSG/GSH decreased 48 h after class and rehearsal. Greater increases in LPO post‐class suggest it promotes CK release by an oxidative membrane‐damage mechanism. Physiological increases of LPO and CK in class indicate it prepares the dancers for exercise‐induced oxidative stress and muscle damage during rehearsals. Ballet dancers' muscle damage and oxidative stress responses seem not to be dependent on exercise intensity based on V̇O2 responses. This study aimed to describe and compare ballet dancers' cardiorespiratory responses, muscle damage and oxidative stress levels during a ballet class (practice of isolated ballet exercises performed with barre/hand-rail support and across-the-floor movements to improve technical skills) and rehearsal (practice of ballet choreography involving technical-artistic skills to improve dancers' performance for shows). The 12 advanced female ballet dancers undertook three exercise sessions: maximum effort test, class and rehearsal. Heart rate (HR) and oxygen consumption (VO2) were continuously measured. Lactate was determined before 15 min and after class and rehearsal. Blood was sampled pre, post and 48 h after class and rehearsal for creatine kinase (CK), lipid peroxides (LPO) and glutathione analysis (GSSG/GSH). Class was of lower intensity than rehearsal as shown by VO2, HR and lactate values: VO2 (mL.kg(-1).min(-1)): 14.5±2.1 vs. 19.1±1.7 (p < 0.001); HR (bpm.min(-1)): 145.7±17.9 vs. 174.5±13.8 (p < 0.001); lactate (mmol.L(-1)): 4.2±1.1 vs. 5.5±2.7 (p = 0.049). CK (IU) increased following class and rehearsal, remaining high 48 h after: class (pre = 109.3±48.5; post = 144±60; 48 h = 117.2±64.6); rehearsal (pre = 78.6±52.1; post = 122±70.7; 48 h = 104.9±89.5). LPO (µM) increased from pre-class (1.27±0.19) to post-class (1.41±0.19) and went down after 48 h (1.20±0.22). No LPO time-course changes followed the rehearsal. GSSG/GSH decreased 48 h after class and rehearsal. Greater increases in LPO post-class suggest it promotes CK release by an oxidative membrane-damage mechanism. Physiological increases of LPO and CK in class indicate it prepares the dancers for exercise-induced oxidative stress and muscle damage during rehearsals. Ballet dancers' muscle damage and oxidative stress responses seem not to be dependent on exercise intensity based on VO2 responses. This study aimed to describe and compare ballet dancers' cardiorespiratory responses, muscle damage and oxidative stress levels during a ballet class (practice of isolated ballet exercises performed with barre/hand-rail support and across-the-floor movements to improve technical skills) and rehearsal (practice of ballet choreography involving technical-artistic skills to improve dancers' performance for shows). The 12 advanced female ballet dancers undertook three exercise sessions: maximum effort test, class and rehearsal. Heart rate (HR) and oxygen consumption (V̇O 2 ) were continuously measured. Lactate was determined before 15 min and after class and rehearsal. Blood was sampled pre, post and 48 h after class and rehearsal for creatine kinase (CK), lipid peroxides (LPO) and glutathione analysis (GSSG/GSH). Class was of lower intensity than rehearsal as shown by V̇O 2 , HR and lactate values: V̇O 2 (mL.kg −1 .min −1 ): 14.5±2.1 vs 19.1±1.7 (p < 0.001); HR (bpm.min −1 ): 145.7±17.9 vs 174.5±13.8 (p < 0.001); lactate (mmol.L −1 ): 4.2±1.1 vs 5.5±2.7 (p = 0.049). CK (IU) increased following class and rehearsal, remaining high 48 h after: class (pre = 109.3±48.5; post = 144±60; 48 h = 117.2±64.6); rehearsal (pre = 78.6±52.1; post = 122±70.7; 48 h = 104.9±89.5). LPO (µM) increased from pre-class (1.27±0.19) to post-class (1.41±0.19) and went down after 48 h (1.20±0.22). No LPO time-course changes followed the rehearsal. GSSG/GSH decreased 48 h after class and rehearsal. Greater increases in LPO post-class suggest it promotes CK release by an oxidative membrane-damage mechanism. Physiological increases of LPO and CK in class indicate it prepares the dancers for exercise-induced oxidative stress and muscle damage during rehearsals. Ballet dancers' muscle damage and oxidative stress responses seem not to be dependent on exercise intensity based on V̇O 2 responses. |
| Author | De Bittencourt, Paulo Ivo Homem Cunha, Giovani dos Santos Rodrigues-Krause, Josianne Reischak-Oliveira, Alvaro Krause, Mauricio Schaun, Maximiliano I. Martins, Jocelito B. Perin, Diana Alberton, Cristine Lima |
| Author_xml | – sequence: 1 givenname: Josianne surname: Rodrigues-Krause fullname: Rodrigues-Krause, Josianne email: josi_danca@yahoo.com.br organization: Physical Education School, Federal University of Rio Grande do Sul – sequence: 2 givenname: Mauricio surname: Krause fullname: Krause, Mauricio organization: School of Public Health, Physiotherapy and Population Science, University College Dublin – sequence: 3 givenname: Giovani dos Santos surname: Cunha fullname: Cunha, Giovani dos Santos organization: Physical Education School, Federal University of Rio Grande do Sul – sequence: 4 givenname: Diana surname: Perin fullname: Perin, Diana organization: Physical Education School, Federal University of Rio Grande do Sul – sequence: 5 givenname: Jocelito B. surname: Martins fullname: Martins, Jocelito B. organization: Physical Education School, Federal University of Rio Grande do Sul – sequence: 6 givenname: Cristine Lima surname: Alberton fullname: Alberton, Cristine Lima organization: Physical Education School, Federal University of Rio Grande do Sul – sequence: 7 givenname: Maximiliano I. surname: Schaun fullname: Schaun, Maximiliano I. organization: Physical Education School, Federal University of Rio Grande do Sul – sequence: 8 givenname: Paulo Ivo Homem surname: De Bittencourt fullname: De Bittencourt, Paulo Ivo Homem organization: Department of Physiology, Institute of Basic Health Sciences, Federal University of Rio Grande do Sul – sequence: 9 givenname: Alvaro surname: Reischak-Oliveira fullname: Reischak-Oliveira, Alvaro organization: Physical Education School, Federal University of Rio Grande do Sul |
| BackLink | https://www.ncbi.nlm.nih.gov/pubmed/23679120$$D View this record in MEDLINE/PubMed |
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| SubjectTerms | Adolescent Adult ballet class Ballet dancers ballet rehearsal cardiorespiratory fitness Creatine Kinase - blood Dancing - physiology Dancing - statistics & numerical data Exercise - physiology Female Glutathione - blood Heart Rate - physiology Humans Lipid Peroxides - blood muscle damage Muscle, Skeletal - injuries oxidative stress Oxidative Stress - physiology Oxygen Consumption - physiology Young Adult |
| Title | Ballet dancers cardiorespiratory, oxidative and muscle damage responses to classes and rehearsals |
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