Copysites: tourist attractions in the age of their architectural reproducibility

In this article we focus on those tangible assets that have been copied and imitated for reasons that are linked to tourism. What we call copysites are the replicas of places, buildings and sites that attract visitors interested in cultural heritage (tangible and intangible) and leisure activities,...

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Published inJournal of tourism and cultural change Vol. 17; no. 1; pp. 13 - 26
Main Authors Bernhard, Bauer, Duccio, Canestrini
Format Journal Article
LanguageEnglish
Published Abingdon Routledge 02.01.2019
Taylor & Francis Ltd
Subjects
Online AccessGet full text
ISSN1476-6825
1747-7654
DOI10.1080/14766825.2019.1558020

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Abstract In this article we focus on those tangible assets that have been copied and imitated for reasons that are linked to tourism. What we call copysites are the replicas of places, buildings and sites that attract visitors interested in cultural heritage (tangible and intangible) and leisure activities, such as, entertainment, shopping, gastronomy etc. We analyse characteristic cases and acknowledge that the creation of copysites has different backgrounds: commercial interests, artistic and aesthetic motives, entertainment reasons, the joy to reproduce forms of success, preservation of the original sites, among others. We focus on who is content with visiting copies of monuments, sculptures, cities or 'fakelore' performances. On the basis of our examples we explain how far the principle of visiting replicated sites can be a success formula and why it seems so important for many tourists to see, check-in and tick-off activities and destinations, even if they are 'almost authentic'.
AbstractList In this article we focus on those tangible assets that have been copied and imitated for reasons that are linked to tourism. What we call copysites are the replicas of places, buildings and sites that attract visitors interested in cultural heritage (tangible and intangible) and leisure activities, such as, entertainment, shopping, gastronomy etc. We analyse characteristic cases and acknowledge that the creation of copysites has different backgrounds: commercial interests, artistic and aesthetic motives, entertainment reasons, the joy to reproduce forms of success, preservation of the original sites, among others. We focus on who is content with visiting copies of monuments, sculptures, cities or 'fakelore' performances. On the basis of our examples we explain how far the principle of visiting replicated sites can be a success formula and why it seems so important for many tourists to see, check-in and tick-off activities and destinations, even if they are 'almost authentic'.
Author Bernhard, Bauer
Duccio, Canestrini
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  organization: Sociology and Anthropology of Tourism, University Campus of Lucca
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SubjectTerms anthropology of tourism
authenticity
commodification
Copysite
Cultural heritage
Destinations
duplitecture
Entertainment
fakelore
Gastronomy
Hallstatt
Leisure
Monuments
Preservation
Recreation
Reproducibility
Shopping
Tourism
Tourist attractions
Visitors
Title Copysites: tourist attractions in the age of their architectural reproducibility
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