Copysites: tourist attractions in the age of their architectural reproducibility
In this article we focus on those tangible assets that have been copied and imitated for reasons that are linked to tourism. What we call copysites are the replicas of places, buildings and sites that attract visitors interested in cultural heritage (tangible and intangible) and leisure activities,...
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| Published in | Journal of tourism and cultural change Vol. 17; no. 1; pp. 13 - 26 |
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| Main Authors | , |
| Format | Journal Article |
| Language | English |
| Published |
Abingdon
Routledge
02.01.2019
Taylor & Francis Ltd |
| Subjects | |
| Online Access | Get full text |
| ISSN | 1476-6825 1747-7654 |
| DOI | 10.1080/14766825.2019.1558020 |
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| Abstract | In this article we focus on those tangible assets that have been copied and imitated for reasons that are linked to tourism. What we call copysites are the replicas of places, buildings and sites that attract visitors interested in cultural heritage (tangible and intangible) and leisure activities, such as, entertainment, shopping, gastronomy etc. We analyse characteristic cases and acknowledge that the creation of copysites has different backgrounds: commercial interests, artistic and aesthetic motives, entertainment reasons, the joy to reproduce forms of success, preservation of the original sites, among others. We focus on who is content with visiting copies of monuments, sculptures, cities or 'fakelore' performances. On the basis of our examples we explain how far the principle of visiting replicated sites can be a success formula and why it seems so important for many tourists to see, check-in and tick-off activities and destinations, even if they are 'almost authentic'. |
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| AbstractList | In this article we focus on those tangible assets that have been copied and imitated for reasons that are linked to tourism. What we call copysites are the replicas of places, buildings and sites that attract visitors interested in cultural heritage (tangible and intangible) and leisure activities, such as, entertainment, shopping, gastronomy etc. We analyse characteristic cases and acknowledge that the creation of copysites has different backgrounds: commercial interests, artistic and aesthetic motives, entertainment reasons, the joy to reproduce forms of success, preservation of the original sites, among others. We focus on who is content with visiting copies of monuments, sculptures, cities or 'fakelore' performances. On the basis of our examples we explain how far the principle of visiting replicated sites can be a success formula and why it seems so important for many tourists to see, check-in and tick-off activities and destinations, even if they are 'almost authentic'. |
| Author | Bernhard, Bauer Duccio, Canestrini |
| Author_xml | – sequence: 1 givenname: Bauer surname: Bernhard fullname: Bernhard, Bauer email: dr.bernhard.bauer@gmail.com organization: Consultant for socio-economic, cultural and tourism development – sequence: 2 givenname: Canestrini surname: Duccio fullname: Duccio, Canestrini organization: Sociology and Anthropology of Tourism, University Campus of Lucca |
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| Cites_doi | 10.2307/j.ctv1453n16 10.1086/204721 10.1177/146879760100100104 10.1215/9780822377207 10.1016/S0160-7383(98)00103-0 10.1016/0261-5177(95)00039-Q 10.7208/chicago/9780226114736.001.0001 10.2307/3249249 10.1177/146879702761936653 10.5840/zfs193651130 10.4135/9781446250402.n2 10.1086/225585 10.1515/9780824837839 10.1177/003803857901300203 10.1017/CBO9780511819582 10.4324/9781315641034-16 |
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| SubjectTerms | anthropology of tourism authenticity commodification Copysite Cultural heritage Destinations duplitecture Entertainment fakelore Gastronomy Hallstatt Leisure Monuments Preservation Recreation Reproducibility Shopping Tourism Tourist attractions Visitors |
| Title | Copysites: tourist attractions in the age of their architectural reproducibility |
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