Organ Augmented Reality: Audio-Graphical Augmentation of a Classical Instrument

This paper discusses the Organ Augmented Reality (ORA) project, which considers an audio and visual augmentation of an historical church organ to enhance the understanding and perception of the instrument through intuitive and familiar mappings and outputs. ORA has been presented to public audiences...

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Published inInternational journal of creative interfaces and computer graphics Vol. 1; no. 2; pp. 51 - 66
Main Authors Jacquemin, Christian, Ajaj, Rami, Le Beux, Sylvain, d’Alessandro, Christophe, Noisternig, Markus, Katz, Brian F.G, Planes, Bertrand
Format Journal Article
LanguageEnglish
Published Hershey IGI Global 01.07.2010
Subjects
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ISSN1947-3117
1947-3125
DOI10.4018/jcicg.2010070105

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Abstract This paper discusses the Organ Augmented Reality (ORA) project, which considers an audio and visual augmentation of an historical church organ to enhance the understanding and perception of the instrument through intuitive and familiar mappings and outputs. ORA has been presented to public audiences at two immersive concerts. The visual part of the installation was based on a spectral analysis of the music. The visuals were projections of LED-bar VU-meters on the organ pipes. The audio part was an immersive periphonic sound field, created from the live capture of the organ sounds, so that the listeners had the impression of being inside the augmented instrument. The graphical architecture of the installation is based on acoustic analysis, mapping from sound levels to synchronous graphics through visual calibration, real-time multi-layer graphical composition and animation. The ORA project is a new approach to musical instrument augmentation that combines enhanced instrument legibility and enhanced artistic content.
AbstractList This paper discusses the Organ Augmented Reality (ORA) project, which considers an audio and visual augmentation of an historical church organ to enhance the understanding and perception of the instrument through intuitive and familiar mappings and outputs. ORA has been presented to public audiences at two immersive concerts. The visual part of the installation was based on a spectral analysis of the music. The visuals were projections of LED-bar VU-meters on the organ pipes. The audio part was an immersive periphonic sound field, created from the live capture of the organ sounds, so that the listeners had the impression of being inside the augmented instrument. The graphical architecture of the installation is based on acoustic analysis, mapping from sound levels to synchronous graphics through visual calibration, real-time multi-layer graphical composition and animation. The ORA project is a new approach to musical instrument augmentation that combines enhanced instrument legibility and enhanced artistic content.
Audience Academic
Author Ajaj, Rami
Noisternig, Markus
Katz, Brian F.G
d’Alessandro, Christophe
Planes, Bertrand
Le Beux, Sylvain
Jacquemin, Christian
AuthorAffiliation IRCAM, France
LIMSI-CNRS, University of Paris Sud 11, France
LIMSI-CNRS, France
Artist, France
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Copyright © 2010, IGI Global. Copying or distributing in print or electronic forms without written permission of IGI Global is prohibited.
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SubjectTerms Acoustic mapping
Acoustic properties
Animation
Augmentation
Augmented Reality
Concerts
Historic sites
Historical buildings
Mapping
Multilayers
Musical instruments
Organs
Perception
Sound
Sound fields
Spectrum analysis
Visual
Title Organ Augmented Reality: Audio-Graphical Augmentation of a Classical Instrument
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