'A spider web moved by the wind': a response to the Symposium of the thirteenth session of the International School of Theatre Anthropology

This article records and responds to the work demonstrated at the Symposium of the thirteenth session of the International School of Theatre Anthropology (ISTA), explores a personal response to the implications of ISTA s work, and draws on Eugenio Barba's key writing on theatre anthropology.

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Published inStudies in theatre and performance Vol. 25; no. 2; pp. 153 - 164
Main Author Ledger, Adam J.
Format Journal Article
LanguageEnglish
Published Bristol, Eng Routledge 01.08.2005
Intellect
Routledge, Taylor & Francis Group
Subjects
Online AccessGet full text
ISSN1468-2761
2040-0616
DOI10.1386/stap.25.2.153/3

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Abstract This article records and responds to the work demonstrated at the Symposium of the thirteenth session of the International School of Theatre Anthropology (ISTA), explores a personal response to the implications of ISTA s work, and draws on Eugenio Barba's key writing on theatre anthropology.
AbstractList This article records and responds to the work demonstrated at the Symposium of the thirteenth session of the International School of Theatre Anthropology (ISTA), explores a personal response to the implications of ISTA's work, and draws on Eugenio Barba's key writing on theatre anthropology. [PUBLICATION ABSTRACT]
This article records and responds to the work demonstrated at the Symposium of the thirteenth session of the International School of Theatre Anthropology (ISTA), explores a personal response to the implications of ISTA’s work, and draws on Eugenio Barba’s key writing on theatre anthropology.
This article records and responds to the work demonstrated at the Symposium of the thirteenth session of the International School of Theatre Anthropology (ISTA), explores a personal response to the implications of ISTA s work, and draws on Eugenio Barba's key writing on theatre anthropology.
This article records and responds to the work demonstrated at the Symposium of the thirteenth session of the International School of Theatre Anthropology (ISTA), explores a personal response to the implications of ISTA's work, and draws on Eugenio Barba's key writing on theatre anthropology. (Author abstract)
Author Ledger, Adam J.
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References Barba (ref3_42) 2002
Barba (ref4_43) 1991
ISTA (ref5_44) 2004
Turner (ref8_47) 2004; 16
Watson (ref10_49) 2002
Barba (ref1_40) 1995
Barba (ref2_41) 1996
Turner (ref9_48) 2004
Risum (ref7_46) 2001
Wethal (ref11_50) 2004
Odin (ref6_45) 2004
References_xml – year: 2002
  ident: ref3_42
  publication-title: Acting (Re)considered
– year: 2004
  ident: ref5_44
  publication-title: Artists, Performances, Scholars: 13th ISTA
– year: 1995
  ident: ref1_40
  publication-title: The Paper Canoe: a guide to theatre anthropology
– year: 2004
  ident: ref6_45
  publication-title: Andersen?s Dream
– year: 2002
  ident: ref10_49
  publication-title: Negotiating Cultures: Eugenio Barba and the Intercultural Debate
– year: 2004
  ident: ref11_50
  publication-title: Andersen?s Dream
– year: 2001
  ident: ref7_46
  publication-title: Performer Training: Developments Across Cultures
– year: 1996
  ident: ref2_41
  publication-title: The Performers Village
– year: 2004
  ident: ref9_48
  publication-title: Eugenio Barba
  doi: 10.4324/9780203320129
– volume: 16
  start-page: 11
  issue: 2
  year: 2004
  ident: ref8_47
  publication-title: Total Theatre Magazine
– year: 1991
  ident: ref4_43
  publication-title: A Dictionary of Theatre Anthropology: the Secret Art of the Performer
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SubjectTerms Anthropology
Barba, Eugenio
Conferences (Meetings)
Drama texts, plays
Eugenio Barba
flow
ISTA
Performance studies
Plays & playwrights
Pura Desa
Roberta Carreri
Theater studies
Theatre, drama
Tom Leabhart
Title 'A spider web moved by the wind': a response to the Symposium of the thirteenth session of the International School of Theatre Anthropology
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