Cultural techniques of cognitive capitalism: Metaprogramming and the labour of code

This article is about cultural techniques and software culture. The notion of cultural techniques stems from German media studies and refers to a range of epistemic, embodied, cognitive and affective orders. It shows its particular usefulness in how it extends our conventional notions of media. Medi...

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Published inCultural studies review Vol. 20; no. 1; pp. 30 - 52
Main Author Parikka, Jussi
Format Journal Article
LanguageEnglish
Published Carleton Melbourne University Publishing 01.03.2014
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ISSN1837-8692
1446-8123
1837-8692
DOI10.5130/csr.v20i1.3831

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Abstract This article is about cultural techniques and software culture. The notion of cultural techniques stems from German media studies and refers to a range of epistemic, embodied, cognitive and affective orders. It shows its particular usefulness in how it extends our conventional notions of media. Media become more than media, and can include 'inconspicuous techniques of knowledge like card indexes, media of pedagogy like the slate, discourse operators like quotation marks, uses of the phonograph in phonetics, or techniques of forming the individual like practices of teaching to read and write' as well as maps, doors, operations and practices of law, and so much more. Cultural techniques participate in the formation of subjects, as well as constitute ways of knowing and organising social reality. I am in this context interested in how we can read some aspects of software culture and organisation of the labour of programming in relation to cultural techniques. Modes of organisation as well as practices of coding represent ways in which code and software regulate social reality but that they are also being regulated as a prioritised technique in digital economy that is at times related to discussions concerning cognitive modes of production.
AbstractList This article is about cultural techniques and software culture. The notion of cultural techniques stems from German media studies and refers to a range of epistemic, embodied, cognitive and affective orders. It shows its particular usefulness in how it extends our conventional notions of media. Media become more than media, and can include 'inconspicuous techniques of knowledge like card indexes, media of pedagogy like the slate, discourse operators like quotation marks, uses of the phonograph in phonetics, or techniques of forming the individual like practices of teaching to read and write' as well as maps, doors, operations and practices of law, and so much more. Cultural techniques participate in the formation of subjects, as well as constitute ways of knowing and organising social reality. I am in this context interested in how we can read some aspects of software culture and organisation of the labour of programming in relation to cultural techniques. Modes of organisation as well as practices of coding represent ways in which code and software regulate social reality but that they are also being regulated as a prioritised technique in digital economy that is at times related to discussions concerning cognitive modes of production.
In other words, we focus on the cognitive not only as concerning the thinking brain but as it concerns the wider set of techniques in which brains are connected to bodies and bodies to work patterns, and in which work patterns are set in a complex group of organisations that are abstract ways of tying the different techniques together. Besides specific case studies relating to the entanglement of code and labour, the theme of techniques of the cognitive point towards the need for political media studies, in the sense defined by Jonathan Beller: 'A political and politicising approach to media studies would insist upon the materiality of mediation as well as reckoning of the material consequences of even the most ostensibly immaterial and abstract mediations.'51 A cultural technique approach to code, software and digital culture might take on board notions such as cognitive capitalism, but also pokes the grey mass of the cognitive through excavations into what sustains it.
This article addresses cultural techniques of cognitive capitalism. The author argues that to understand the full implications of the notion of cognitive capitalism we need to address the media and cultural techniques which conditions its range and applications. The article offers an expanded understanding of the labour of code and programming through a case study of 'metaprogramming', a software related organisation practice that offered a way to think of software creativity and programming in organisations. The ideas from the 1970s that are discussed offer a different way to approach creativity and collaborative and post-Fordist capitalism. The author brings together different theoretical perspectives, including German media theory and Yann Moulier Boutang’s thesis about cognitive capitalism. The wider argument is that we should pay more attention to the media archaeological conditions of practices of labour and value appropriation of contemporary technological capitalism as well as the cultural techniques which include 'ontological and aesthetic operations' that produce cultural, material situations.
Author Jussi Parikka
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SubjectTerms Brain
Capitalism
Cognition
Cognition & reasoning
Computer software
Culture
Externalities (Economics)
Factories
Hopper, Grace
Mass media
Mediation
Political aspects
Politics
Software
Studies
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