Brigman Award Winner-Forged in Love and Death: Problematic Subjects in The Vampire Diaries
Bridgeman talks about The Vampire Diaries, a television series currently in its fourth season airing on the CW network. The television series draws more on the "story world" of the novels rather than the story in terms of its narrative. As a result of its location on a commercially driven...
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Published in | Journal of popular culture Vol. 46; no. 1; pp. 3 - 19 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Oxford
Blackwell Publishing Ltd
01.02.2013
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Subjects | |
Online Access | Get full text |
ISSN | 0022-3840 1540-5931 |
DOI | 10.1111/jpcu.12013 |
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Summary: | Bridgeman talks about The Vampire Diaries, a television series currently in its fourth season airing on the CW network. The television series draws more on the "story world" of the novels rather than the story in terms of its narrative. As a result of its location on a commercially driven network television channel aimed at a young female viewership, The Vampire Diaries takes quite a "middle-of-the-road" ideological stance. Though The Vampire Diaries has an explicit function as a piece of consumer culture and carries the limitations and expectations that go along with this function, it may be react as simultaneously manifesting a reflection of contemporary cultural anxieties. |
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Bibliography: | istex:87CB3EA9B91C1830DD95C2042E4CE98303E8E4AF ark:/67375/WNG-JR1FTL2X-Q ArticleID:JPCU12013 ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 14 ObjectType-Article-2 ObjectType-Feature-1 content type line 23 |
ISSN: | 0022-3840 1540-5931 |
DOI: | 10.1111/jpcu.12013 |