Shaw, D. (2015). European Co-production Funds and Latin American Cinema: Processes of Othering and Bourgeois Cinephilia in Claudia Llosa’s La teta asustada Diogenes (English ed.), 62(1), 88-99. https://doi.org/10.1177/0392192116667011
Chicago Style (17th ed.) CitationShaw, Deborah. "European Co-production Funds and Latin American Cinema: Processes of Othering and Bourgeois Cinephilia in Claudia Llosa’s La Teta Asustada." Diogenes (English Ed.) 62, no. 1 (2015): 88-99. https://doi.org/10.1177/0392192116667011.
MLA (9th ed.) CitationShaw, Deborah. "European Co-production Funds and Latin American Cinema: Processes of Othering and Bourgeois Cinephilia in Claudia Llosa’s La Teta Asustada." Diogenes (English Ed.), vol. 62, no. 1, 2015, pp. 88-99, https://doi.org/10.1177/0392192116667011.