Cross-Cultural Spectators: Examining the Representation and Development of Black Female Protagonists on the Big Screen
Historically, the representation of Black women in film has been non-existent at worst and highly questionable at best. As cross-cultural spectators—a Black woman and a White man—we used an oppositional gaze to critically “look” at the representation and adult development of Black female protagonist...
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Published in | Adult education quarterly (American Association for Adult and Continuing Education) Vol. 75; no. 2; pp. 113 - 131 |
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Main Authors | , |
Format | Journal Article |
Language | English |
Published |
Los Angeles, CA
SAGE Publications
01.05.2025
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Subjects | |
Online Access | Get full text |
ISSN | 0741-7136 1552-3047 |
DOI | 10.1177/07417136241287507 |
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Abstract | Historically, the representation of Black women in film has been non-existent at worst and highly questionable at best. As cross-cultural spectators—a Black woman and a White man—we used an oppositional gaze to critically “look” at the representation and adult development of Black female protagonists across U.S. films. Based on a critical visual methodology of 12 U.S. films, four themes emerged - #noBlackgirlmagic, transition from object-to-subject, the lies (you) tell, and hair it is. The implications for adult and higher education are discussed based on the findings. |
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AbstractList | Historically, the representation of Black women in film has been non-existent at worst and highly questionable at best. As cross-cultural spectators—a Black woman and a White man—we used an oppositional gaze to critically “look” at the representation and adult development of Black female protagonists across U.S. films. Based on a critical visual methodology of 12 U.S. films, four themes emerged - #noBlackgirlmagic, transition from object-to-subject, the lies (you) tell, and hair it is. The implications for adult and higher education are discussed based on the findings. |
Author | Andrews, Josie L. McClain, Adam L. |
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Cites_doi | 10.1177/0741713608327368 10.5406/femteacher.26.2-3.0233 10.1162/daed_a_01847 10.1177/2153368719888264 10.1023/A:1013881302284 10.1007/s11199-011-9939-y 10.3384/rela.2000-7426.5186 10.1177/1045159519829039 10.1177/0361684320988602 10.5040/9781978729827.ch2 10.1002/ace.20430 10.1177/07417136231198049 10.4324/9781003245650 10.1037/dhe0000338 10.1525/dcqr.2016.5.3.133 10.4159/9780674982628 10.1177/0741713611415836 |
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Snippet | Historically, the representation of Black women in film has been non-existent at worst and highly questionable at best. As cross-cultural spectators—a Black... Historically, the representation of Black women in film has been non-existent at worst and highly questionable at best. As cross-cultural spectators— a Black... |
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