A Companion to the British and Irish Short Story

A Companion to the British and Irish Short Storyprovides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present.Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880...

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Bibliographic Details
Main Authors Malcolm, David, Malcolm, Cheryl Alexander
Format eBook Book
LanguageEnglish
Published Malden, Mass. Chichester England Wiley-Blackwell 2008
Blackwell Publishing
John Wiley & Sons, Incorporated
Edition1. Aufl.
SeriesBlackwell companions to literature and culture
Subjects
English fiction
English fiction > Irish authors > History and criticism
English, Irish, Scottish, Welsh
European
History and criticism
Irish authors
LITERARY CRITICISM
Short stories, English > History and criticism
Short stories, English > Themes, motives
Belletristik
Romane Sekundärliteratur
Online AccessGet full text
ISBN1405145374
9781405145374
144430478X
9781444304787
9781444304770
1444304771
DOI10.1002/9781444304770

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Abstract A Companion to the British and Irish Short Storyprovides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present.Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the presentIncludes essays on topics and genres, as well as on individual texts and authorsComprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain
AbstractList A Companion to the British and Irish Short Storyprovides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present.Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the presentIncludes essays on topics and genres, as well as on individual texts and authorsComprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. - Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present - Includes essays on topics and genres, as well as on individual texts and authors - Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain
A COMPANION TO THE BRITISH AND IRISH SHORT STORY A COMPANION TO THE BRITISH AND RISH SHORT STORY A Companion to the British and Irish Short Story chronicles the development of this important literary form in Britain and Ireland from 1880 to the present.
Author Malcolm, Cheryl Alexander
Malcolm, David
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Romane Sekundärliteratur
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Notes Includes bibliographical references and index
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Snippet A Companion to the British and Irish Short Storyprovides a comprehensive treatment of short fiction writing and chronicles its development in Britain and...
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and...
A COMPANION TO THE BRITISH AND IRISH SHORT STORY A COMPANION TO THE BRITISH AND RISH SHORT STORY A Companion to the British and Irish Short Story chronicles...
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SubjectTerms English fiction
English fiction -- Irish authors -- History and criticism
English, Irish, Scottish, Welsh
European
History and criticism
Irish authors
LITERARY CRITICISM
Short stories, English -- History and criticism
Short stories, English -- Themes, motives
SubjectTermsDisplay English, Irish, Scottish, Welsh
European
LITERARY CRITICISM
TableOfContents Intro -- Contents -- Notes on Contributors -- Preface -- Part I: 1880-1945 -- Introduction -- 1: The British and Irish Short Story to 1945 -- Topics and Genres -- 2: The Story of Colonial Adventure -- 3: Responses to War: 1914-1918 and 1939-1945 -- 4: Irish Short Fiction: 1880-1945 -- 5: The Detective and Crime Story: 1880-1945 -- 6: The British and Irish Ghost Story and Tale of the Supernatural: 1880-1945 -- 7: Finding a Voice: Women Writing the Short Story (to 1945) -- 8: Rudyard Kipling's Art of the Short Story -- Reading Individual Authors and Texts -- 9: Robert Louis Stevenson: "The Bottle Imp," "The Beach of Falesá," and "Markheim" -- 10: Thomas Hardy: Wessex Tales -- 11: Joseph Conrad: "The Secret Sharer" and "An Outpost of Progress" -- 12: The Short Stories of Hector Hugh Munro ("Saki") -- 13: Paralysis Re-considered: James Joyce's Dubliners -- 14: H.G. Wells's Short Stories: "The Country of the Blind" and "The Door in the Wall" -- 15: D.H. Lawrence's Short Stories: "The Horse Dealer's Daughter" and "The Rocking Horse Winner" -- 16: Virginia Woolf: "Kew Gardens" and "The Legacy" -- 17: Katherine Mansfield: "The Garden Party" and "Marriage à la Mode" -- 18: Frank O'Connor: "Guests of the Nation" and "My Oedipus Complex" -- 19: The Short Stories of Liam O'Flaherty -- 20: W. Somerset Maugham's Ashenden Stories -- 21: Elizabeth Bowen: "The Demon Lover" and "Mysterious Kôr" -- Part II: 1945-the Present -- Introduction -- 22: The British and Irish Short Story: 1945-Present -- Topics and Genres -- 23: New Identities: The Irish Short Story since 1945 -- 24: Redefining Englishness: British Short Fiction from 1945 to the Present -- 25: Scottish Short Stories (post 1945) -- 26: Hybrid Voices and Visions: The Short Stories of E.A. Markham, Ben Okri, Salman Rushdie, Hanif Kureishi, Patricia Duncker, and Jackie Kay
27: The Anglo-Jewish Short Story since the Holocaust -- 28: Feminist Voices: Women's Short Fiction after 1945 -- 29: British Gay and Lesbian Short Stories -- 30: Science Fiction and Fantasy after 1945: Beyond Pulp Fiction -- 31: Experimental Short Fiction in Britain since 1945 -- Reading Individual Authors and Texts -- 32: The Short Stories of Julian Maclaren-Ross -- 33: Alan Sillitoe: "The Loneliness of the Long Distance Runner" -- 34: The Short Stories of Elizabeth Taylor -- 35: The Short Fiction of V.S. Pritchett -- 36: Edna O'Brien: "A Rose in the Heart of New York" -- 37: Doris Lessing: African Stories -- 38: The Desire for Clarity: Seán O'Faoláin's "Lovers of the Lake" -- 39: The Short Stories of Muriel Spark -- 40: Jean Rhys: "Let Them Call It Jazz" -- 41: George Mackay Brown: "Witch," "Master Halcrow, Priest," "A Time to Keep," and "The Tarn and the Rosary" -- 42: William Trevor: Uncertain Grounds for Assured Art -- 43: John McGahern: Nightlines -- 44: The Clinking of an Identity Disk: Bernard MacLaverty's "Walking the Dog" -- 45: Angela Carter's The Bloody Chamber: A World Transformed by Imagination and Desire - Adventures in Anarcho-Surrealism -- 46: J.G. Ballard: Psychopathology, Apocalypse, and the Media Landscape -- 47: The Short Stories of Benjamin Okri -- 48: James Kelman: Greyhound for Breakfast -- 49: Hanif Kureishi: Love in a Blue Time -- Index
Title A Companion to the British and Irish Short Story
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