Exile, Non-Belonging and Statelessness in Grangaud, Jabès, Lubin and Luca No man’s language

At least since the Romantic era, poetry has often been understood as a powerful vector of collective belonging. The idea that certain poets are emblematic of a national culture is one of the chief means by which literature historicizes itself, inscribes itself in a shared cultural past and supplies...

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Main Author Kerr, Greg
Format eBook
LanguageEnglish
Published London UCL Press 2021
Edition1
SeriesComparative Literature and Culture
Subjects
Online AccessGet full text
ISBN9781787356757
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DOI10.14324/111.9781787356733

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Abstract At least since the Romantic era, poetry has often been understood as a powerful vector of collective belonging. The idea that certain poets are emblematic of a national culture is one of the chief means by which literature historicizes itself, inscribes itself in a shared cultural past and supplies modes of belonging to those who consume it. But what, then, of the exiled, migrant or translingual poet? How might writing in a language other than one’s mother tongue complicate this picture of the relation between poet, language and literary system? What of those for whom the practice of poetry is inseparable from a sense of restlessness or unease, suggesting a condition of not being at home in any one language, even that of their mother tongue? These questions are crucial for four French-language poets whose work is the focus of this study: Armen Lubin (1903-74), Ghérasim Luca (1913-94), Edmond Jabès (1912-91) and Michelle Grangaud (1941-). Ranging across borders within and beyond the Francosphere – from Algeria to Armenia, to Egypt, to Romania – this book shows how a poetic practice inflected by exile, statelessness or non-belonging has the potential to disrupt long-held assumptions of the relation between subjects, the language they use and the place from which they speak.
AbstractList At least since the Romantic era, poetry has often been understood as a powerful vector of collective belonging. The idea that certain poets are emblematic of a national culture is one of the chief means by which literature historicizes itself, inscribes itself in a shared cultural past and supplies modes of belonging to those who consume it. But what, then, of the exiled, migrant or translingual poet? How might writing in a language other than one’s mother tongue complicate this picture of the relation between poet, language and literary system? What of those for whom the practice of poetry is inseparable from a sense of restlessness or unease, suggesting a condition of not being at home in any one language, even that of their mother tongue? These questions are crucial for four French-language poets whose work is the focus of this study: Armen Lubin (1903-74), Ghérasim Luca (1913-94), Edmond Jabès (1912-91) and Michelle Grangaud (1941-). Ranging across borders within and beyond the Francosphere – from Algeria to Armenia, to Egypt, to Romania – this book shows how a poetic practice inflected by exile, statelessness or non-belonging has the potential to disrupt long-held assumptions of the relation between subjects, the language they use and the place from which they speak.
Exile, Non-Belonging and Statelessness in Grangaud, Jabès, Lubin and Luca studies the work of four French-language poets to question the relationship between poet, the language they use and the place from which they speak.
At least since the Romantic era, poetry has often been understood as a powerful vector of collective belonging. The idea that certain poets are emblematic of a national culture is one of the chief means by which literature historicizes itself, inscribes itself in a shared cultural past and supplies modes of belonging to those who consume it. But what, then, of the exiled, migrant or translingual poet? How might writing in a language other than one's mother tongue complicate this picture of the relation between poet, language and literary system? What of those for whom the practice of poetry is inseparable from a sense of restlessness or unease, suggesting a condition of not being at home in any one language, even that of their mother tongue? These questions are crucial for fourFrench-language poets whose work is the focus of this study: Armen Lubin(1903-74), Ghérasim Luca (1913-1994), Edmond Jabès (1912-1991), and MichelleGrangaud (1941-). Ranging across borders within and beyond the Francosphere - from Algeria to Armenia, to Egypt, to Romania - this book shows how a poeticpractice inflected by exile, statelessness or non-belonging has the potentialto disrupt long-held assumptions of the relation between subjects, the languagethey use and the place from which they speak.
Author Kerr, Greg
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Snippet At least since the Romantic era, poetry has often been understood as a powerful vector of collective belonging. The idea that certain poets are emblematic of a...
Exile, Non-Belonging and Statelessness in Grangaud, Jabès, Lubin and Luca studies the work of four French-language poets to question the relationship between...
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SubjectTerms area studies
Belonging (Social psychology)
Belonging (Social psychology) in literature
Biography and non-fiction prose
Biography, Literature and Literary studies
exile
Exiles in literature
French poetry
Grangaud
Jabès
Literary essays
Literary studies: poetry and poets
literature
Literature: history and criticism
Lubin
Luca
migration
Poetry
Statelessness in literature
transnational studies
Subtitle No man’s language
TableOfContents Intro -- Series Page -- Title -- Copyright -- Contents -- List of Figures -- Acknowledgements -- Introduction -- 1 Solemn Attestation: Illness and Statelessness in Armen Lubin -- 2 No Grounds for Looking: Edmond Jabès and the Questioning of the Image -- 3 'Brûler Les États / Brûler Les Étapes': Ghérasim Luca -- 4 Taking Leave of One's Self: Michelle Grangaud between Propre and Commun -- Conclusion -- Index -- Back Cover
Title Exile, Non-Belonging and Statelessness in Grangaud, Jabès, Lubin and Luca
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