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|a cze
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|a Jakeš, Pavel
|4 dis
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|a Žena s polenem jako žena s dramaturgickým klíčem k seriálu Twin Peaks
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|a 1. Theoretical Part: Analysis of differences of Dramaturgy and form of serial Twin Peaks (1990,2017) 2. Practical part: Audiovisual work or thematic set of audiovisual works, minimal length 20 minutes
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|c 2020
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| 300 |
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|a 55 s.
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| 500 |
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|a Studijní obor: Audiovizuální tvorba - Režie a scenáristika
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| 500 |
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|a Studijní obor: Audiovisual Arts - Directing and Screenwriting
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| 500 |
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|a Ústav: Ateliér Audiovize
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| 500 |
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|a Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací
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| 500 |
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|a Tomas Bata University in Zlín. Faculty of Multimedia Communications
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|a Bez omezení
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|a antagonista
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|a Cooper
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|a David Lynch
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|a dramaturgie
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|a herald
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|a hlavní hrdina
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|a mentor
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|a mysteriózní
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|a podvědomí
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|a sen
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|a seriál
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|a Twin Peaks
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|a vedlejší postava
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|a žena s polenem.
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|a antagonist
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|a Cooper
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|a David Lynch
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|a dramaturgy
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| 653 |
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|a dream
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| 653 |
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|a herald
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|a main character
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|a mentor
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|a mysterious
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|a series
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|a subconscious
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|a supporting character
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|a Twin Peaks
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|a woman with a log
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|a diplomová práce
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|a Gogola, Jan
|4 ths
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|a Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací
|4 dgg
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| 710 |
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|a Tomas Bata University in Zlín. Faculty of Multimedia Communications
|4 dgg
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|u http://hdl.handle.net/10563/47684
|y Plný text v Digitální knihovně UTB
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