Metal music and the re-imagining of masculinity, place, race and nation

Metal is a form of popular music. Popular music is a form of leisure. In the modern age, popular music has become part of popular culture, a heavily contested collection of practices and industries that construct place, belonging and power. The arrival of Donald Trump in the White House has shown th...

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Bibliographic Details
Main Author: Spracklen, Karl, (Author)
Format: eBook
Language: English
Published: Bingley, U.K. : Emerald Publishing Limited, 2020.
Series: Emerald studies in metal music and culture.
Subjects:
ISBN: 9781838674458
9781838674434
Physical Description: 1 online resource (272 pages) ; cm.

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Table of contents

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040 |a UtOrBLW  |b eng  |e rda  |c UtOrBLW 
080 |a 78.01 
100 1 |a Spracklen, Karl,  |e author. 
245 1 0 |a Metal music and the re-imagining of masculinity, place, race and nation /  |c Karl Spracklen (Leeds Beckett University, UK). 
264 1 |a Bingley, U.K. :  |b Emerald Publishing Limited,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource (272 pages) ;  |c cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Emerald studies in metal music and culture 
500 |a Includes index. 
504 |a Includes bibliographical references. 
505 0 |a Chapter one. Introduction, context and methods -- Chapter two. The old nationalism and masculinity: historical review -- Chapter three. Populism, nationalism and masculinity today: a review chapter -- Chapter four. Theories of leisure and music; and music, identity and place -- Chapter five. Iron Maiden: true stories of men at war -- Chapter six. Manowar: true metal warriors -- Chapter seven. Bathory and Viking metal -- Chapter eight. The Norwegians as 'authentic' Vikings: enslaved, Windir and Wardruna -- Chapter nine. Pagan metal in Eastern Europe -- Chapter ten. Finnish folk metal: raising drinking horns in mainstream metal -- Chapter eleven. English heritage black metal and the equivalents in Scotland, Wales and Yorkshire -- Chapter twelve. Challenging hegemony? Darkestrah, and Zeal & Ardor -- Chapter thirteen. Conclusions -- References -- Discography. 
520 |a Metal is a form of popular music. Popular music is a form of leisure. In the modern age, popular music has become part of popular culture, a heavily contested collection of practices and industries that construct place, belonging and power. The arrival of Donald Trump in the White House has shown that angry white men still wield huge social and cultural power in this new century. The aim of this monograph is to explore metal music - might be seen as leisure spaces that resist the norms and values of the mainstream; but also how they might also serve to re-affirm and construct those norms and values. In particular, this book is interested in how forms of metal might work to re-imagine masculinity, race, nation and class in an intersectional way through the myth of warrior masculinity and blood and soil. This monograph explores the history of the myths, and the reaction by fans to the music. The focus is extended to bands that use the warrior-nation myth in places and countries beyond the global North, and in ways that challenge or subvert hegemony. 
588 0 |a Print version record. 
650 0 |a Heavy metal (Music) 
650 0 |a Masculinity in music. 
650 7 |a Music, Genres & Styles, Heavy Metal.  |2 bisacsh 
650 7 |a Heavy Metal music.  |2 bicssc 
655 7 |a elektronické knihy  |7 fd186907  |2 czenas 
655 9 |a electronic books  |2 eczenas 
776 |z 9781838674441 
830 0 |a Emerald studies in metal music and culture. 
856 4 0 |u https://proxy.k.utb.cz/login?url=https://doi.org/10.1108/9781838674434  |y Full text