Gender and contemporary horror in film

The horror genre will always remain current because it reflects our anxieties, shining a light onto our worst fears whilst creating worlds defined by darkness. Horror as a genre has always engaged with era-specific societal mores and moral panics, often about isolation or abandonment, changing famil...

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Bibliographic Details
Other Authors: Holland, Samantha, (Editor), Shail, Robert, (Editor), Gerrard, Steven, (Editor)
Format: eBook
Language: English
Published: Bingley, U.K. : Emerald Publishing Limited, 2019.
Series: Emerald studies in popular culture and gender
Subjects:
ISBN: 9781787698970 (e-book)
9781787698994 (ePUB)
Physical Description: 1 online resource (x, 261 pages).

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Table of contents

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008 190315s2019 enk o 001 0 eng d
020 |a 9781787698970 (e-book) 
020 . . |a 9781787698994 (ePUB) 
040 |a UtOrBLW  |b eng  |e rda  |c UtOrBLW 
080 |a 791.2 
245 0 0 |a Gender and contemporary horror in film /  |c edited by Samantha Holland, Robert Shail, and Steven Gerrard. 
264 1 |a Bingley, U.K. :  |b Emerald Publishing Limited,  |c 2019. 
264 4 |c ©2019 
300 |a 1 online resource (x, 261 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Emerald studies in popular culture and gender 
500 |a Includes index. 
505 0 |a Prelims -- Introduction -- Bodies -- Boundaries -- Captivity -- Index. 
520 |a The horror genre will always remain current because it reflects our anxieties, shining a light onto our worst fears whilst creating worlds defined by darkness. Horror as a genre has always engaged with era-specific societal mores and moral panics, often about isolation or abandonment, changing family values and the role of women. It is often specifically about how gender is constructed in everyday life. Women are commonly defined in horror by their passivity, or monstrosity/sexuality or victimhood - or a mix of the three. At the same time women in horror are forced into psychological and physical torture ending in violent showdowns in which they emerge damaged but triumphant.Bringing together research from a wide range of established and emerging scholars this edited collection provides an insight into how modern horror films portray femininities, sexualities, masculinities, ageing, and other current issues, exploring the use of vampires, zombies, werewolves and ghosts in films made internationally. This volume, one of three by the same editorial team examining the horror genre, focuses on gender and contemporary horror in film, asking questions about how and if representations of gender in horror have changed. In these readings and re-readings, the authors examine developments in films about vampires, zombies, werewolves and ghosts, in films made internationally.  
588 0 |a Print version record 
650 0 |a Horror films  |x History and criticism. 
650 0 |a Sex role in motion pictures. 
650 7 |a Social Science  |x Gender Studies.  |2 bisacsh 
650 7 |a TV & society.  |2 bicssc 
655 7 |a elektronické knihy  |7 fd186907  |2 czenas 
655 9 |a electronic books  |2 eczenas 
700 1 |a Holland, Samantha,  |e editor. 
700 1 |a Shail, Robert,  |e editor. 
700 1 |a Gerrard, Steven,  |e editor. 
776 |z 9781787698987 
856 4 0 |u https://proxy.k.utb.cz/login?url=https://doi.org/10.1108/9781787698970  |y Full text