Black metal, trauma, subjectivity and sound : screaming the abyss

Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss weaves together trauma, black metal performance and disability into a story of both pain and freedom. Drawing on her years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender...

Full description

Saved in:
Bibliographic Details
Main Author Shadrack, Jasmine Hazel (Author)
Format Electronic eBook
LanguageEnglish
Published Bingley, U.K. : Emerald Publishing Limited, 2020.
SeriesEmerald studies in metal music and culture.
Subjects
Online AccessFull text
ISBN9781787569270
9781787569256
DOI10.1108/9781787569256
Physical Description1 online resource (xxiv, 227 pages).

Cover

Table of Contents:
  • Prelims
  • Chapter One: Interpretive performance autoethnography
  • Chapter Two: 'Women! stop ruining metal!' mapping extreme metal
  • Chapter Three: Black metal's historical analysis: the story of male metal
  • Chapter Four: The feminine absent
  • Chapter Five: Of wolves and witches
  • Chapter Six: Denigrata as performance
  • Chapter Seven: Conclusion. Liber sum: restorative visibility and the feminine present
  • Epilogue: (Rebecca Lamont-Jiggens)
  • Peroration: dying words as abominable lifeblood
  • Glossary of terms
  • Select bibliography
  • Further reading
  • Index.