Black metal, trauma, subjectivity and sound : screaming the abyss
Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss weaves together trauma, black metal performance and disability into a story of both pain and freedom. Drawing on her years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender...
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| Main Author | |
|---|---|
| Format | Electronic eBook |
| Language | English |
| Published |
Bingley, U.K. :
Emerald Publishing Limited,
2020.
|
| Series | Emerald studies in metal music and culture.
|
| Subjects | |
| Online Access | Full text |
| ISBN | 9781787569270 9781787569256 |
| DOI | 10.1108/9781787569256 |
| Physical Description | 1 online resource (xxiv, 227 pages). |
Cover
Table of Contents:
- Prelims
- Chapter One: Interpretive performance autoethnography
- Chapter Two: 'Women! stop ruining metal!' mapping extreme metal
- Chapter Three: Black metal's historical analysis: the story of male metal
- Chapter Four: The feminine absent
- Chapter Five: Of wolves and witches
- Chapter Six: Denigrata as performance
- Chapter Seven: Conclusion. Liber sum: restorative visibility and the feminine present
- Epilogue: (Rebecca Lamont-Jiggens)
- Peroration: dying words as abominable lifeblood
- Glossary of terms
- Select bibliography
- Further reading
- Index.