Black metal, trauma, subjectivity and sound : screaming the abyss

Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss weaves together trauma, black metal performance and disability into a story of both pain and freedom. Drawing on her years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender...

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Bibliographic Details
Main Author: Shadrack, Jasmine Hazel, (Author)
Format: eBook
Language: English
Published: Bingley, U.K. : Emerald Publishing Limited, 2020.
Series: Emerald studies in metal music and culture.
Subjects:
Shadrack, Jasmine Hazel.
Black metal (Music) > Social aspects.
Misogyny.
Disabilities.
Psychic trauma.
Music > Health aspects.
Music, Genres & Styles, Heavy Metal.
Heavy Metal music.
elektronické knihy
electronic books
ISBN: 9781787569270
9781787569256
Physical Description: 1 online resource (xxiv, 227 pages).

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Table of contents

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020 . . |a 9781787569256  |q electronic bk. 
040 |a UtOrBLW  |b eng  |e rda  |c UtOrBLW 
080 |a 781.6 
100 1 |a Shadrack, Jasmine Hazel,  |e author. 
245 1 0 |a Black metal, trauma, subjectivity and sound :  |b screaming the abyss /  |c by Jasmine Hazel Shadrack (University of Northampton, UK). 
264 1 |a Bingley, U.K. :  |b Emerald Publishing Limited,  |c 2020. 
264 4 |c ©2021 
300 |a 1 online resource (xxiv, 227 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Emerald studies in metal music and culture 
504 |a Includes bibliographical references and index. 
505 0 |a Prelims -- Chapter One: Interpretive performance autoethnography -- Chapter Two: 'Women! stop ruining metal!' mapping extreme metal -- Chapter Three: Black metal's historical analysis: the story of male metal -- Chapter Four: The feminine absent -- Chapter Five: Of wolves and witches -- Chapter Six: Denigrata as performance -- Chapter Seven: Conclusion. Liber sum: restorative visibility and the feminine present -- Epilogue: (Rebecca Lamont-Jiggens) -- Peroration: dying words as abominable lifeblood -- Glossary of terms -- Select bibliography -- Further reading -- Index. 
520 |a Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss weaves together trauma, black metal performance and disability into a story of both pain and freedom. Drawing on her years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny, and the healing power of performance. This profoundly personal book offers a detailed explanation of autoethnography, followed by a careful exposition of the relationship between metal and gender, considering - among other things - how women are engaged with by metal music culture. After examining the various waves of black metal and how this has impacted black metal theory, the book moves on to consider female performers and performance as catharsis, including a discussion of the author's work as guitarist and vocalist with the black metal band Denigrata and her alter-ego, the 'antlered priestess' Denigrata Herself. The book concludes with some thoughts on acquired disability, freedom and peace. The book includes a foreword from eminent gender researcher Rosemary Lucy Hill, a guest section from metal scholar Amanda DiGioia, an epilogue from Rebecca Lamont-Jiggens (a legal pracademic specialising in disability), suggestions of sources of help for those in abusive relationships and further reading for those wishing to learn more about black metal theory. 
588 0 |a Print version record. 
600 1 0 |a Shadrack, Jasmine Hazel. 
650 0 |a Black metal (Music)  |x Social aspects. 
650 0 |a Misogyny. 
650 0 |a Disabilities. 
650 0 |a Psychic trauma. 
650 0 |a Music  |x Health aspects. 
650 7 |a Music, Genres & Styles, Heavy Metal.  |2 bisacsh 
650 7 |a Heavy Metal music.  |2 bicssc 
655 7 |a elektronické knihy  |7 fd186907  |2 czenas 
655 9 |a electronic books  |2 eczenas 
776 |z 9781787569263 
830 0 |a Emerald studies in metal music and culture. 
856 4 0 |u https://proxy.k.utb.cz/login?url=https://doi.org/10.1108/9781787569256  |y Full text 

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