Death, the dead and popular culture

Within popular culture, death is not the end, but instead a space where the dead can exert agency whilst entertaining the consumer. Popular culture enables the dead to be consumed by the living on a mass global scale, actively engaging them with issues of mortality. This book develops the sociologic...

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Bibliographic Details
Main Author: Penfold-Mounce, Ruth, 1979- (Author)
Format: eBook
Language: English
Published: Bingley, U.K. : Emerald Publishing Limited, 2018.
Series: Emerald studies in death and culture
Subjects:
ISBN: 9781787430532 (e-book)
9781787439436 (ePUB)
Physical Description: 1 online resource (xi, 142 pages).

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Table of contents

LEADER 02677nam a2200421Ii 4500
001 em-9781787430532
003 UtOrBLW
005 20180615122021.0
006 m o d
007 cr un|||||||||
008 180615s2018 enk ob 001 0 eng d
020 |a 9781787430532 (e-book) 
020 . . |a 9781787439436 (ePUB) 
040 |a UtOrBLW  |b eng  |e rda  |c UtOrBLW 
080 |a 393 
100 1 |a Penfold-Mounce, Ruth,  |d 1979-  |e author. 
245 1 0 |a Death, the dead and popular culture /  |c Ruth Penfold-Mounce. 
264 1 |a Bingley, U.K. :  |b Emerald Publishing Limited,  |c 2018. 
264 4 |c �2018 
300 |a 1 online resource (xi, 142 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Emerald studies in death and culture 
500 |a Includes index. 
504 |a Includes bibliographical references. 
520 |a Within popular culture, death is not the end, but instead a space where the dead can exert agency whilst entertaining the consumer. Popular culture enables the dead to be consumed by the living on a mass global scale, actively engaging them with issues of mortality. This book develops the sociological intersectionality between death, the dead and popular culture by examining the agency of the dead. Drawing upon the posthumous careers of the celebrity dead and organ transplantation mythology in popular culture the dead are shown to not be hampered by death but to benefit from the symbolic and economic value they can generate. Meanwhile the fictional dead - the Undead and the dead in crime drama - are conceptualised through morbid sensibility and morbid space to mobilise consumer consideration of mortality and even challenge the public wisdom that contemporary Western society is in death denial and that death is taboo. Death and the dead, within the parameters of popular culture, form a palatable and normative bridge between viewers and mortality, iterating the innate value and hidden depths of popular culture in the study of contemporary society. This book will be of interest to anybody who researches death, popular culture and questions of mortality. 
588 0 |a Print version record 
650 0 |a Death. 
650 0 |a Death  |x Social aspects. 
650 0 |a Death in popular culture. 
650 7 |a Social Science, Death & Dying.  |2 bisacsh 
650 7 |a Sociology: death & dying.  |2 bicssc 
655 7 |a elektronické knihy  |7 fd186907  |2 czenas 
655 9 |a electronic books  |2 eczenas 
776 |z 9781787567665 
776 . . |z 9781787430549 
856 4 0 |u https://proxy.k.utb.cz/login?url=https://doi.org/10.1108/9781787430532  |y Full text