http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
Peter Lang AG, Internationaler Verlag der Wissenschaften
This book coincides with an increase in the programming of live art elements in many galleries and museums. Traditional art history has, however, been wary of live art's interdisciplinarity and its tendency to encourage increased formal and conceptual risk taking. Time-based performances have challenged the conventions of documentation and the viewer's access to the art experience. This book questions the canon of art history by exploring participation, liveness, interactivity, digital and process-based performative practices and performance for the camera, as presented in gallery spaces. The essays present both academic research as well as case studies of curatorial projects that have pushed the boundaries of the art historical practice. The authors come from a wide range of backgrounds, ranging from curators and art producers to academics and practising artists. They ask what it means to present, curate and create interdisciplinary performative work for gallery spaces and offer cutting-edge research that explores the intricate relationship between art history, live and performing arts, and museum and gallery space.
Contents: Mary Oliver: Lies, Lies, It's All Lies I Tell You! - Pip Laurenson/Vivian van Saaze: Collecting Performance-Based Art: New Challenges and Shifting Perspectives - Maria Chatzichristodoulou [aka Maria X]: Exhibiting Performance, Staging Experience - Beryl Graham: Histories of Interaction and Participation: Critical Systems from New Media Art - Eva Fotiadi: From Event to Archive and to Event Again - Kaija Kaitavuori: Participation in the Gallery: (Re)negotiating Contracts - Amy Mechowski: Playing Ball: Friday Late, Performativity and the Victoria and Albert Museum - Lee Campbell: Heckler, Performance, Participation and Politeness: Using Performance Art as a Tool to Explore the Liminal Space between Art and Theatre and its Capacity for Confrontation - Leah Lovett: Crowd Control: Encountering Art's Audiences - Outi Remes/Cally Trench: At Play: Curatorial Notes about Playfulness - Sophia Yadong Hao: Attending the Gallery - Helen Sloan: Like Shadows: A Celebration of Shyness - Claudia Marion Stemberger: South African Live Art and the Representation of its Residue: On Gabrielle Goliath's Stumbling Block.
J. Barrie Bullen, Outi Remes, Laura MacCulloch, Marika Leino
Plný text je dostupný pouze z IP adres počítačů Univerzity Tomáše Bati ve Zlíně nebo vzdáleným přístupem pro zaměstnance a studenty
Cultural Interactions: Studies in the Relationship between the Arts 31