One place after another : site-specific art and locational identity

A critical history of site-specific art since the late 1960s.Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art...

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Bibliographic Details
Main Author: Kwon, Miwon.
Format: eBook
Language: English
Published: Cambridge, Mass. : MIT Press, ©2002.
Subjects:
site-specific art
moderní umění > 20. století
modern art > 20th century
elektronické knihy
monografie
electronic books
monographs
ISBN: 9780262277808
9780262112659
9780262612029
Physical Description: 1 online zdroj (218 stran) : ilustrace

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100 1 |a Kwon, Miwon. 
245 1 0 |a One place after another :  |b site-specific art and locational identity /  |c Miwon Kwon. 
260 |a Cambridge, Mass. :  |b MIT Press,  |c ©2002. 
300 |a 1 online zdroj (218 stran) :  |b ilustrace 
504 |a Obsahuje bibliografické odkazy a index. 
506 |a Plný text je dostupný pouze z IP adres počítačů Univerzity Tomáše Bati ve Zlíně nebo vzdáleným přístupem pro zaměstnance a studenty 
520 |a A critical history of site-specific art since the late 1960s.Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.- Resumé vydavatel 
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650 0 7 |a moderní umění  |7 ph115340  |y 20. století  |2 czenas 
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650 0 9 |a modern art  |y 20th century  |2 eczenas 
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655 7 |a monografie  |7 fd132842  |2 czenas 
655 9 |a electronic books  |2 eczenas 
655 9 |a monographs  |2 eczenas 
776 0 8 |i Print version:  |a Kwon, Miwon.  |t One place after another.  |d Cambridge, Mass. : MIT Press, ©2002  |z 0262112655  |w (DLC) 2001044753  |w (OCoLC)47892291 
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