Gender and Islam in Indonesian Cinema

This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of women filmmakers in the post-New Order period. It considers scholarship on gender in Indonesian cinema through the lens of power relations. Examining key th...

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Bibliographic Details
Main Author: Izharuddin, Alicia. (Author)
Corporate Author: SpringerLink (Online service)
Format: eBook
Language: English
Published: Singapore : Springer Singapore : Imprint: Palgrave Macmillan, 2017.
Series: Gender, Sexualities and Culture in Asia
Subjects:
ISBN: 9789811021732
Physical Description: XI, 207 p. 3 illus. in color. online resource.

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Table of contents

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020 |a 9789811021732 
024 7 |a 10.1007/978-981-10-2173-2  |2 doi 
100 1 |a Izharuddin, Alicia.  |e author. 
245 1 0 |a Gender and Islam in Indonesian Cinema /  |c by Alicia Izharuddin. 
264 1 |a Singapore :  |b Springer Singapore :  |b Imprint: Palgrave Macmillan,  |c 2017. 
300 |a XI, 207 p. 3 illus. in color.  |b online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a počítač  |b c  |2 rdamedia 
338 |a online zdroj  |b cr  |2 rdacarrier 
490 1 |a Gender, Sexualities and Culture in Asia 
505 0 |a Gender and the divine pleasures of the cinema -- Dakwah at the cinema: identifying the generic parameters of Islamic films -- Visualising Muslim women and men: a longue durée -- Gender, Islam and the nation in New Order Islamic films -- Empowered Muslim femininities?: representations of women in post-New Order film Islami -- Poor, polygamous but deeply pious: Muslim masculinities in post-New Order film Islami. 
506 |a Plný text je dostupný pouze z IP adres počítačů Univerzity Tomáše Bati ve Zlíně nebo vzdáleným přístupem pro zaměstnance a studenty 
520 |a This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of women filmmakers in the post-New Order period. It considers scholarship on gender in Indonesian cinema through the lens of power relations. Examining key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, it resonates with the socio-political changes and upheavals in Indonesia's modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia, and addresses the specific issue of Anglo-European born Muslim women who are being radicalized by Daish social media, through the analysis of films such as 'Mata Tertutup' (Closed Eyes) about a young woman's transformation into a suicide bomber. Offering cutting edge accounts of the use of Islamic cinema and mass media, this new book considers gendered dimensions of Islamic media usage which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia. 
650 0 |a Social sciences. 
650 0 |a Islam. 
650 0 |a Motion pictures and television. 
650 0 |a Sociology. 
650 0 |a Sex (Psychology). 
650 0 |a Gender expression. 
650 0 |a Gender identity. 
655 7 |a elektronické knihy  |7 fd186907  |2 czenas 
655 9 |a electronic books  |2 eczenas 
710 2 |a SpringerLink (Online service) 
776 0 8 |i Printed edition:  |z 9789811021725 
830 0 |a Gender, Sexualities and Culture in Asia 
856 4 0 |u https://proxy.k.utb.cz/login?url=http://dx.doi.org/10.1007/978-981-10-2173-2  |y Plný text 
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